Extremely annoying pieces of classical music

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  • Parry1912
    Full Member
    • Nov 2010
    • 963

    Not so much annoying but something I found on Spotify that made me laugh: Stockhausen's Pietà (from "Dienstag" from "LICHT")

    Del boy: “Get in, get out, don’t look back. That’s my motto!”

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    • Nick Armstrong
      Host
      • Nov 2010
      • 26524

      Originally posted by cloughie View Post
      I know this goes totally against my FW preferences, I prefer Kullervo without the vocal movements!
      Yes, I love the first movement and then can quite happily go and do something else
      "...the isle is full of noises,
      Sounds and sweet airs, that give delight and hurt not.
      Sometimes a thousand twangling instruments
      Will hum about mine ears, and sometime voices..."

      Comment

      • Serial_Apologist
        Full Member
        • Dec 2010
        • 37628

        Just now, as I listen to choice excerpts on COTW, it strikes me how cleverly Britten was able to disguise musical triteness with his ingenious ear for immediately attractive instrumental combinations

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        • Ferretfancy
          Full Member
          • Nov 2010
          • 3487

          Sorry to say this as a devotee, but RVW's Five Tudor Portraits set my teeth on edge, especially the moments of "jollity"

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          • Serial_Apologist
            Full Member
            • Dec 2010
            • 37628

            Originally posted by Ferretfancy View Post
            Sorry to say this as a devotee, but RVW's Five Tudor Portraits set my teeth on edge, especially the moments of "jollity"
            A rare lapse in the great man's output. imho too.

            Comment

            • Panjandrum

              Originally posted by Ferretfancy View Post
              Sorry to say this as a devotee, but RVW's Five Tudor Portraits set my teeth on edge, especially the moments of "jollity"
              Wonderful piece! VW does Skelton proud (the poet that is, not our fellow boarder).

              Let's have less of this negativity what?

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              • Suffolkcoastal
                Full Member
                • Nov 2010
                • 3290

                I agree Panjandrum. Its only the last movement 'Jolly Rutterkin' that doesn't come off, the rest is superb. The Lament for Philip Sparrow is exceptionally beautiful and superbly scored too. The 1st movement is exceptionally witty and tongue in cheek as is the epitaph for John Jayberd.

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                • EdgeleyRob
                  Guest
                  • Nov 2010
                  • 12180

                  Originally posted by Suffolkcoastal View Post
                  I agree Panjandrum. Its only the last movement 'Jolly Rutterkin' that doesn't come off, the rest is superb. The Lament for Philip Sparrow is exceptionally beautiful and superbly scored too. The 1st movement is exceptionally witty and tongue in cheek as is the epitaph for John Jayberd.
                  I agree wholeheartedly.

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                  • Boilk
                    Full Member
                    • Dec 2010
                    • 976

                    Originally posted by ferneyhoughgeliebte View Post
                    The "weight" of the [Jupiter's] Symphonic argument is shifted from the First Movement to the last - I'm tempted to say for the first time in history, but Haydn probably did something similar (he always does!) and Mozza's earlier C major Symphony K338 shows a "first glance" of what he does in the Jupiter. The Music leads to the magnificent Finale, rather than the Finale being a brisk conclusion to events set up - and largely resolved - in the first Movement.
                    Yes, "Haydn" did do something simlar - the younger MICHAEL Haydn. This from Jupiter Wikipedia article...

                    "Scholars are certain Mozart studied Michael Haydn's Symphony No. 28 in C major, which also has a fugato in its finale. Charles Sherman speculates that Mozart also studied the younger Haydn's Symphony No. 39 in C major because he "often requested his father Leopold to send him the latest fugue that Haydn had written." The Michael Haydn No. 39, written only a few weeks before Mozart's, also has a fugato in the finale, the theme of which begins with two whole notes. Sherman has pointed out other similarities between the two almost perfectly contemporaneous works. The four-note motif is also the main theme of the contrapuntal finale of Michael's elder brother Joseph's Symphony No. 13 in D major (1764)."

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                    • 3rd Viennese School

                      Isn't the Toy Symphony Wolfgang Mozart's daddy?

                      3VS

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                      • Boilk
                        Full Member
                        • Dec 2010
                        • 976

                        Originally posted by 3rd Viennese School View Post
                        Isn't the Toy Symphony Wolfgang Mozart's daddy?

                        3VS
                        There is now reasonable evidence that it was Benedictine monk Father Edmund Angerer (1740-1794).

                        Scroll slightly down on page for English translation of the German text.

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                        • Ferretfancy
                          Full Member
                          • Nov 2010
                          • 3487

                          Suffolkcoastal and Panjandrum,

                          Well, we are meant to be a bit negative on this particular thread aren't we? In my defence, I'll admit that it is really only 'Jolly Rutterkin' that irritates me, but the trouble is, I know it's coming!

                          How about The Oxford Elegy ? That's always said to be a weak work, but I rather like the fruity delivery of the narration by John Westbrook on the Willcocks recording.

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                          • Serial_Apologist
                            Full Member
                            • Dec 2010
                            • 37628

                            Originally posted by Ferretfancy View Post

                            How about The Oxford Elegy ? That's always said to be a weak work, but I rather like the fruity delivery of the narration by John Westbrook on the Willcocks recording.
                            Weak?? Oh no!!! Always need to have the Kleenex nearby.

                            Comment

                            • LeMartinPecheur
                              Full Member
                              • Apr 2007
                              • 4717

                              Originally posted by Boilk View Post
                              There is now reasonable evidence that it was Benedictine monk Father Edmund Angerer (1740-1794).
                              Boilk: thanks for that. Clearly we now need a complete Angerer recorded edition

                              I did like the bit in your linked article where this news is described as "sensational latest findings". What vocabulary have they got left for when a new Haydn symphony turns up, or it's proved that Beethoven's late quartets were really written by Schindler??
                              I keep hitting the Escape key, but I'm still here!

                              Comment

                              • Nick Armstrong
                                Host
                                • Nov 2010
                                • 26524

                                Originally posted by LeMartinPecheur View Post
                                What vocabulary have they got left for when a new Haydn symphony turns up, or it's proved that Beethoven's late quartets were really written by Schindler??
                                "Absolutely ¥¤*#¶»g incredible" ?

                                "...the isle is full of noises,
                                Sounds and sweet airs, that give delight and hurt not.
                                Sometimes a thousand twangling instruments
                                Will hum about mine ears, and sometime voices..."

                                Comment

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