Originally posted by Serial_Apologist
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Extremely annoying pieces of classical music
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Originally posted by Serial_Apologist View PostBartok wouldn't have minded... and Walton, in the finale of his second symphony, used a 12-tone theme, not developed serially. There must be others - can't quite think who, folr the moment."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by mangerton View PostHe certainly was! He wrote a wonderful 19 part motet "O bone Jesu", and a number of mass settings. Others from that era include David Peebles, Robert Johnson and William Kinloche. More recently, there was Thomas Erskine, 6th Earl of Kellie, who was born in 1732 - a Fifer like me - and from the 19th century Hamish MacCunn. Scotty has mentioned Macmillan, and could also have mentioned Thea Musgrave and Judith Weir, among others.
So there's a few. There were of course others, though possibly not as many as other countries have produced. On the other hand, Scots have been busy in many other walks of life inventing or discovering marmalade, bicycles, pneumatic tyres, tar macadam, television, telephones, radar, electromagnetic radiation, anaesthetics, penicillin and even founding the Bank of England.
Having added to your list, I'm now going to subtract from it - the Scots didn't give us marmalade. Contrary to what is often said about it (and particularly the name of the delicious stuff - "Marie est malade" and all that) it's not Scottish. It was first imported from Portugal in the 15th century and was made of quinces and honey. It was highly taxed and a real luxury, and the name is from the Portuguese for quince - marmalada. Over time, other fruits were used, till we settled on citrus, mainly oranges, in the last 150 years. (I'll take off my anorak now.)Last edited by Pabmusic; 10-09-11, 01:27.
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scottycelt
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scottycelt
Originally posted by Pabmusic View Post- the Scots didn't give us marmalade.
You know the sort of thing .. 'it was actually the Dutch who invented golf' ... 'kilts and bagpipes first came from the Middle East' ... 'William Wallace was really Welsh' ... 'Alexander Graham Bell was an American citizen' ... and, horror of horrors 'it was the Irish who first made whisky' ... all that sort of stuff.
Mary Queen of Scots (who, of course, wasn't really Scottish either) was said to have introduced a type of marmalade to Scotland from her native France, and the crafty locals then perfected the process to produce the delicious item that we know today.
That's the whole point. Unlike their southern neighbours, the Scots are not a naturally Euro-sceptic race, and loved to learn from their continental neighbours, and also travel the wider world to pick up good ideas from the natives to then set up proper business there or at home, whilst cunningly acquiring global intellectual property rights.
Easy!
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Originally posted by scottycelt View Post'Alistair Hinton was born in Scotland.'
Incredible ... me too!
You might be surprised to discover this, but a not insignificant proportion of Scots were born in Scotland; the phrase "goes with the territory" somehow comes to mind...
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Originally posted by scottycelt View Post
Mary Queen of Scots (who, of course, wasn't really Scottish either) was said to have introduced a type of marmalade to Scotland from her native France, and the crafty locals then perfected the process to produce the delicious item that we know today.
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Originally posted by scottycelt View PostYes, they (generally the English) say that about nearly everything the Scots jealously regard as their own.
You know the sort of thing .. 'it was actually the Dutch who invented golf' ... 'kilts and bagpipes first came from the Middle East' ... 'William Wallace was really Welsh' ... 'Alexander Graham Bell was an American citizen' ... and, horror of horrors 'it was the Irish who first made whisky' ... all that sort of stuff.
Mary Queen of Scots (who, of course, wasn't really Scottish either) was said to have introduced a type of marmalade to Scotland from her native France, and the crafty locals then perfected the process to produce the delicious item that we know today.
That's the whole point. Unlike their southern neighbours, the Scots are not a naturally Euro-sceptic race, and loved to learn from their continental neighbours, and also travel the wider world to pick up good ideas from the natives to then set up proper business there or at home, whilst cunningly acquiring global intellectual property rights.
Easy!
I am not knocking the Scots, or anyone else.
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scottycelt
No, it wasn't meant to be a point, small or large, it was simply a now obviously failed attempt to continue the general atmosphere of light-heartedness in the discussion, ahinton ...
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scottycelt
Originally posted by Pabmusic View PostI don't follow you. Are you saying that I've got it wrong? Or indeed that the other things you list are wrong? Or are you suggesting we preserve myths as truths because they are colourful? (And aren't you just assuming I'm English as well?)
I am not knocking the Scots, or anyone else.
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Originally posted by scottycelt View PostNo, it wasn't meant to be a point, small or large, it was simply a now obviously failed attempt to continue the general atmosphere of light-heartedness in the discussion, ahinton ...
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3rd Viennese School
Extremely annoying pieces of music.
Everything that Radio 3 now play on Performance on 3.
i.e. Wigmore Hall song recitals, Wagner Operas Part 1, Wagner Operas Part 2, Handel Vocal music, Elgar Vocal music, Vocal music, Brahms symphony no.2 again, Wagner Operas Part 14...
It's got so bad I now listen to Classic FM during this time.
And missed the Discovering Music on Liszt Piano sonata in B minor!
no. Hang on.
3VS
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3rd Viennese School
"Shostakovich throws one into the first movement of his 15th for a giggle, I seem to remember. " (a 12 note theme)
It's mvt 2.
3VS
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Originally posted by 3rd Viennese School View Post"Shostakovich throws one into the first movement of his 15th for a giggle, I seem to remember. " (a 12 note theme)
It's mvt 2.
3VS
I was thinking of the theme (possibly the catchiest 12-tone theme ever written?) from the 1st movement: it's the 12 note theme bracketed as (b) in Example 15 in this essay. https://www.amherst.edu/media/view/2...81993%2529.pdf It uses all 12 tones without repetition which is what qualifies it as a 12-tone row I think?
It recurs several times, but that illustration is a trombone solo and I recall (discovering this piece around the age of 15, and being a trombonist) learning it and using it as a rather 'esoteric' signature tune to play repeatedly to warm up before concerts.
Pretentious? Moi?
Anyway 3VS I think we're both right"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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