After the Strauss Last four, and finding some otherworldly settings and vocalisations in the Ondine Saariaho box, I began to think of those extraordinary creations that are difficult to program into a concert and often forgotten...
...seeking out George Benjamin's A Mind of Winter (Wallace Stevens' The Snow Man) I stumbled across John McCabe's ravishing Notturni ed Alba (ancient/medieval latin texts) which was introduced to me in the 1970s by Robert Simpson on R3's The Innocent Ear. And what about DSCH's Michelangelo Suite, or Berg's Altenberg Lieder (pity they tend to get sidelined in favour of an inferior Wine or 7 Early efforts...)
Often it's a text that brings out the most imaginative of inspirations... Varese' Ecuatorial, Schoenberg's op.22... did anyone ever colour in the Hanging Gardens? Someone should! (er... AH?) And as for Nono (faints melodramatically)...
so many Songs of Love and Life!
So bring your orchestrally accompanied white, pink or mini-elephants to the listening stall. They all need a home! We all await the thrill of enthusiasm and discovery!
...seeking out George Benjamin's A Mind of Winter (Wallace Stevens' The Snow Man) I stumbled across John McCabe's ravishing Notturni ed Alba (ancient/medieval latin texts) which was introduced to me in the 1970s by Robert Simpson on R3's The Innocent Ear. And what about DSCH's Michelangelo Suite, or Berg's Altenberg Lieder (pity they tend to get sidelined in favour of an inferior Wine or 7 Early efforts...)
Often it's a text that brings out the most imaginative of inspirations... Varese' Ecuatorial, Schoenberg's op.22... did anyone ever colour in the Hanging Gardens? Someone should! (er... AH?) And as for Nono (faints melodramatically)...
so many Songs of Love and Life!
So bring your orchestrally accompanied white, pink or mini-elephants to the listening stall. They all need a home! We all await the thrill of enthusiasm and discovery!
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