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I don't think his work gets much notice outside electroacoustic music circles, although within such circles his music and theoretical ideas have become highly influential since the 1990s.
Are there any Globokar pieces on YouTube you particularly like, John? I don't know most of the stuff posted there, and the ones I do know aren't my favourites, apart from Ausstrahlungen.
1.Teil: ZerfallFor two orchestras and tapeI like to pick up new stuff at the library and that's where I found a CD of the Donaueschinger Musiktage 2000 today...
1.Teil: ZerfallFor two orchestras and tapeI like to pick up new stuff at the library and that's where I found a CD of the Donaueschinger Musiktage 2000 today...
There's nothing I can find of Globokar improvising with others ... what are your favorites not on YouTube?
There's nothing I can find of Globokar improvising with others ... what are your favorites not on YouTube?
There's all the New Phonic Art material to begin with - Globokar's Correspondences plus the group improvisations; and the solo pieces Res/As/Ex/Inspirer (I think I have the prefixes in the right order!) and Voix instrumentalisée. In general I don't like his large-scale pieces so much, they seem a bit too sprawly. I don't know the recording of Eisenberg although I've heard it in concert a couple of times and thought it depended too much on stereotyped musical gestures - a section consisting of scales, another consisting of glissandi, and so on. (The first part of Engel der Geschichte, which I hadn't heard at all before, seemed to me to embody the same kind of problem, but I haven't had time to listen to the rest yet.)
Here's a Xenakis piece I'd read about but hadn't heard before finding it on YouTube: Nyuyo for flute and three guitars, originally written in 1993 for traditional Japanese instruments and later transcribed for Western instruments with the help of the late flautist Cécile Daroux. I don't think it would be easy to guess the composer if you didn't know, but once you do know it makes perfect sense. I wonder if there's a recording of the original version anywhere.
A collection of movies taken of the composer Edward Elgar towards the end of his life. The films feature his daughter Carice and Elgars two dogs: Marco, a sp...
My last YouTube discovery was Brahms : Piano Quartet No. 1 in G minor, op. 25 performed by Kyung-Wha Chung(violin), Maxim Rysanov (viola), Myung-Wha Chung (cello), Peter Frankl (piano).
The 9th Great Mountains International Music FestivalJul.29. 2012Alpensia Concert Hall, PyeongchangKyung-Wha Chung, violinMaxim Rysanov, violaMyung-Wha Chung,...
I like it very much!
But for a great pity there's still no video for my another discovery, the disk that I've found about a month ago at onyxclassics and which is the record of Beethoven's compositions performed by Maxim Rysanov, Kristina Blaumane and Jacob Katsnelson.
Here's something I've been coming back to repeatedly after hearing it for the first time a few days ago - Stockhausen's Erwachen ("Awakening") for trumpet, soprano sax and cello from 2007, one of his very last completed pieces:
Erwachen l Awakening (2007) für Violoncello, Trumpete und Sopransaxophon. 12. Stunde aus KLANG. Just before the fourth main section of this trio the performe...
It's a very strange thing. I wonder to myself whether I'd be able to guess the composer if I didn't already know.
To keep the ball rolling: I mentioned this on the Boulez thread, but here's Bruno Maderna's 1966 piece Stele per Diotima, from the CD (which I recommend) conducted by Arturo Tamayo:
Bruno Maderna (1920-1973): Stele per Diotima, per orchestra (1966).Frankfurt Radio Symphony orchestra diretta da Arturo Tamayo.Cover image: painting by Eugen...
An astonishing piece I think.
I enjoyed this piece - because the silence or pause allows me just enough time to digest each preceding sound. It also seems to expand the space in which the sound exists. Very subjective of course, and probably not so enjoyable while driving on the motorway!
Conductor & Artistic Director: Lars MlekuschCountertenor: Kai WesselSolo Saxophones: Michael Krenn, Michaela Reingruber, Joel Diegert, Alvaro Collao LeonSolo...
Conductor & Artistic Director: Lars MlekuschCountertenor: Kai WesselSolo Saxophones: Michael Krenn, Michaela Reingruber, Joel Diegert, Alvaro Collao LeonSolo...
In the cadenza and some quiet passages you can hear the artillery from outside the RRG-building (2´30"+, 5´40"+). For me this is just unbelievable, a histor...
With great fondness I'm 'bumping' this useful thread created by the much-missed Chris Newman for those who find pieces of interest on youtube and want to share them with friends.
This is a lovely performance from 2010 of Chopin's Krakowiak played by Nelson Goerner on an Erard piano (Erard 1849; número de serie 21118) accompanied by Orquesta del Siglo XVIII, director: Frans Brüggen - yes Frans Brüggen in Chopin
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