Originally posted by EdgeleyRob
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The mother of all essential,desert island,favourite,top 10,top 3 etc list things.
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surely you would only take music that you already knew if you wanted to revel in nostalgia ?
and given that for many pieces the phenomena of phonomnesis is sufficient to recall the music internally ?
so for me given that there are many pieces I have yet to hear (and it does depend on HOW I am going to listen to them) i'm sure there's enough Messiaen to last a while ....... today at least
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Originally posted by MrGongGong View Postsurely you would only take music that you already knew if you wanted to revel in nostalgia ?
and given that for many pieces the phenomena of phonomnesis is sufficient to recall the music internally ?
so for me given that there are many pieces I have yet to hear (and it does depend on HOW I am going to listen to them) i'm sure there's enough Messiaen to last a while ....... today at least
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DoctorT
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With my screen size, each time this thread pops up in the "What's New" list, I see
"The mother of all essential,desert"
and think it's a new heading (complete with typo) for the Refreshment Room thread..."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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If you're stuck with one composer, it would surely have to be one
(a) that's fairly prolific
(b) whose music is reasonably diverse - not too samey
(c) you're not familiar with much of their output but like what you know, thus leaving scope for new discoveries rather than endless nostalgia (as mentioned above).
So I'd initially shortlist Telemann / Martinu / Hovhaness / Milhaud, who satisfy all of the above criteria for me.
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Originally posted by Boilk View PostIf you're stuck with one composer, it would surely have to be one
(a) that's fairly prolific
(b) whose music is reasonably diverse - not too samey
(c) you're not familiar with much of their output but like what you know, thus leaving scope for new discoveries rather than endless nostalgia (as mentioned above).
So I'd initially shortlist Telemann / Martinu / Hovhaness / Milhaud, who satisfy all of the above criteria for me.
There remain a few folk song settings of Bartok I still have not heard, but the fact that I continue to note details and interconnections in works of his I have listened to innumerable times yet missed supersedes most other factors of his music, other than the fact of liking most of it.
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