Applause

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • DublinJimbo
    Full Member
    • Nov 2011
    • 1222

    #31
    Originally posted by MrGongGong View Post
    I thought this was going to be a pre-emptive strike on this years Proms
    Ah yes ... I blame Tom Service for this disturbing trend (and then he had the effrontery during one of his awful Symphony cuddle-ins with Sue Perkins to respond to an email or a tweet or whatever by saying that it was 'absolutely' in order to applaud between movements — go for it! was what it amounted to).

    Reading the original post here reminded me of a fun video called The Clap. It's 12 and a half minutes, but well worth the time. (About concert performances rather than opera, but relevant all the same.)

    Comment

    • Eine Alpensinfonie
      Host
      • Nov 2010
      • 20570

      #32
      Originally posted by DublinJimbo View Post
      Ah yes ... I blame Tom Service for this disturbing trend...
      He isn't the only one with a speaking organ larger than his crianial region. Roger Wright and Ian Hislop (who I normally respect) have made similar contributions to condoning bad manners.

      Comment

      • MrGongGong
        Full Member
        • Nov 2010
        • 18357

        #33
        It's all (sorry folks , you know what i'm going to say )
        about context !

        It's fine to clap between movements at the Proms , not so at late night Feldman in St Pauls hall ! (or even between notes )

        Comment

        • cloughie
          Full Member
          • Dec 2011
          • 22128

          #34
          Originally posted by Beef Oven View Post
          This is a most ungracious, prejudiced, possibly discriminatory, uncaring, superiority complex inspired and self-satisfied comment that is probably true!
          I agree Beef, as I said before Jazz concerts have different etiquette.

          On Tom Service, whenever I hear the name I always think 'Isn't that what R4 used to be called?'

          Comment

          • Eine Alpensinfonie
            Host
            • Nov 2010
            • 20570

            #35
            Originally posted by MrGongGong View Post
            It's fine to clap between movements at the Proms...
            ...as long as you do so in the privacy of your own home, listening to your radio.

            Comment

            • cloughie
              Full Member
              • Dec 2011
              • 22128

              #36
              Originally posted by Eine Alpensinfonie View Post
              ...as long as you do so in the privacy of your own home, listening to your radio.

              Comment

              • Lancashire Lass
                Full Member
                • Feb 2012
                • 118

                #37
                From what I can gather, encouraging applause after each movement has backfired. It doesn't seem to have caught on across the board, thank God, so what happens is that while most people keep quiet, a spattering of applause breaks out, presumably from the newbies for whom Tom Service or whoever is responsible wishes to make the Proms "accessible". These people then realise no-one else is joining in and, one imagines, feel complete prats for the rest of the concert. So much for making them feel "equal"!

                Comment

                • MrGongGong
                  Full Member
                  • Nov 2010
                  • 18357

                  #38
                  Originally posted by Lancashire Lass View Post
                  whoever is responsible wishes to make the Proms "accessible". !
                  eeer that's the WHOLE POINT of the Proms in the first place !
                  rather than a load of idiots dressed up pretending to conduct from the Arena thinking that somehow they "own" the music and doing the whole "piano lid routine" zzzzzzzzz

                  like I said (once or twice !!! ) context !
                  and as others have pointed out conductors are more than able at concerts (as opposed to Opera ) to "hold" a moment where it's appropriate

                  Comment

                  • Panjandrum

                    #39
                    Originally posted by Lancashire Lass View Post
                    From what I can gather, encouraging applause after each movement has backfired. It doesn't seem to have caught on across the board, thank God, so what happens is that while most people keep quiet, a spattering of applause breaks out, presumably from the newbies for whom Tom Service or whoever is responsible wishes to make the Proms "accessible". These people then realise no-one else is joining in and, one imagines, feel complete prats for the rest of the concert. So much for making them feel "equal"!

                    Comment

                    • Serial_Apologist
                      Full Member
                      • Dec 2010
                      • 37710

                      #40
                      Originally posted by MrGongGong View Post
                      eeer that's the WHOLE POINT of the Proms in the first place !
                      rather than a load of idiots dressed up pretending to conduct from the Arena thinking that somehow they "own" the music and doing the whole "piano lid routine" zzzzzzzzz

                      like I said (once or twice !!! ) context !
                      and as others have pointed out conductors are more than able at concerts (as opposed to Opera ) to "hold" a moment where it's appropriate
                      If the conductor holds both arms in the air, does that make the players check to see if the next page of the score has gone missing?

                      Comment

                      • french frank
                        Administrator/Moderator
                        • Feb 2007
                        • 30329

                        #41
                        There seems to be a certain amount of illogicality in the Tom Service position: of course, feel perfectly free to applaud at the end of a movement (it is, after all, what Haydn and Mozart would have wanted and expected).

                        But don't applaud too soon at the end of a stupendous piece of music like Mahler 3 which would have devastated the composer as it devastates every thinking, feeling music lover.

                        Such permissiveness for one, such rage for the other. Blimey, if that doesn't confuse and put off the poor old concert neophyte I don't know what will! (For God's sake this is Mahler 3, not yer blimmin' Mozart. Eejit!)

                        It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                        Comment

                        • MrGongGong
                          Full Member
                          • Nov 2010
                          • 18357

                          #42
                          Originally posted by french frank View Post
                          There seems to be a certain amount of illogicality in the Tom Service position: of course, feel perfectly free to applaud at the end of a movement (it is, after all, what Haydn and Mozart would have wanted and expected).

                          But don't applaud too soon at the end of a stupendous piece of music like Mahler 3 which would have devastated the composer as it devastates every thinking, feeling music lover.

                          Such permissiveness for one, such rage for the other. Blimey, if that doesn't confuse and put off the poor old concert neophyte I don't know what will! (For God's sake this is Mahler 3, not yer blimmin' Mozart. Eejit!)

                          Indeed
                          So if Norman (that's Cook not Del Mar ) does this



                          you know you've clapped too soon !

                          Comment

                          • teamsaint
                            Full Member
                            • Nov 2010
                            • 25210

                            #43
                            certain less well known, usually more recent works, could usefully employ something like a flag being raised to signify the end. Just because you have enjoyed a work, doesn't always mean its obvious when it has finished.

                            Just saying........
                            I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                            I am not a number, I am a free man.

                            Comment

                            • ferneyhoughgeliebte
                              Gone fishin'
                              • Sep 2011
                              • 30163

                              #44
                              Originally posted by teamsaint View Post
                              certain less well known, usually more recent works, could usefully employ something like a flag being raised to signify the end. Just because you have enjoyed a work, doesn't always mean its obvious when it has finished.
                              ... or, with Haydn, a banner reading "NOT YET!!!"
                              [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                              Comment

                              • Petrushka
                                Full Member
                                • Nov 2010
                                • 12260

                                #45
                                Originally posted by ferneyhoughgeliebte View Post
                                ... or, with Haydn, a banner reading "NOT YET!!!"
                                The last movement of the Haydn 90th is the one with several false endings and the premature applause and laughter almost seems to written into the score. Rattle and the BPO recorded both versions of the finale, with and without the audience participation. How many 200 year old jokes can still make us laugh?
                                "The sound is the handwriting of the conductor" - Bernard Haitink

                                Comment

                                Working...
                                X