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Grandstand reminds me of the gradual morphing of the big tune from Schumann's Symphony No 1 finale to the 1960s song "He's Football Crazy" with Rolf Harris and a few other covers. Then it got shaken around with strong hints nevertheless in two versions of theme tunes for "Match of the Day".
The very end of the slow movement of Mahler 6 has for years reminded me of a piece by Leroy Anderson called 'Forgotten Dreams'. It's so similar that it can't possibly be a coincidence can it?
Does anyone know a French pop song recorded pre-1999, which uses the first movement theme of the JS Bach G minor keyboard concerto? I heard this on a holiday in Greece some time in the nineties, and couldn't figure out what was familiar about it. Once I recognised it, it became a sort of brainworm - wanting to hear the pop song again.
Obscure, or what? - I know. Put me out of my misery someone...
Had to resurrect this thread upon hearing again Britten's Playful Pizzicato from his Simple Symphony and noting how much it owes a debt to the nursery rhyme, Pop Goes the Weasel.
Think I have picked up on a striking similarity
"I would rather go Blind" (the tune for those specific words) and the opening theme from the Tchaikovsky Orchestral Suite no 3.
Anybody fancy verifying, please?
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
Think I have picked up on a striking similarity
"I would rather go Blind" (the tune for those specific words) and the opening theme from the Tchaikovsky Orchestral Suite no 3.
Anybody fancy verifying, please?
I don't know either teamy, but funnily enough I was thinking about this thread last night when Mendelssohn's Scottish Symphony was on TTN, and that final broad tune having strong resemblances to Here Comes The Galloping Major!
I don't know either teamy, but funnily enough I was thinking about this thread last night when Mendelssohn's Scottish Symphony was on TTN, and that final broad tune having strong resemblances to Here Comes The Galloping Major!
here are a couple of treats then, SA !both magic. and i was right about the similarity !
I am always surprised, even though I shouldn't be, just how much one of the motifs (a brass laden outburst) from Vaughan Williams's Symphpny No. 2 'London' sounds like the cockney ditty 'Let's all go down the Strand - have a banana'.
I am always surprised, even though I shouldn't be, just how much one of the motifs (a brass laden outburst) from Vaughan Williams's Symphpny No. 2 'London' sounds like the cockney ditty 'Let's all go down the Strand - have a banana'.
And the first movement ends with the question: Can you tap dance?
I am always surprised, even though I shouldn't be, just how much one of the motifs (a brass laden outburst) from Vaughan Williams's Symphpny No. 2 'London' sounds like the cockney ditty 'Let's all go down the Strand - have a banana'.
Yes, it does. When RVW wrote the symphony in 1912-13, the music-hall song was only a few years old. It was by Harry Casting and C. W. Murphy, and was written in 1909.
Had to resurrect this thread upon hearing again Britten's Playful Pizzicato from his Simple Symphony and noting how much it owes a debt to the nursery rhyme, Pop Goes the Weasel.
According to this Britten used eight of his own themes composed in childhood - and in HC's biog Britten refers to Frank Bridge looking over some of his "Kid's pieces"...but what I chiefly remember from the Simple Symphony is "Boys and girls come out to play".
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