We have just been subjected to Colin Davis's Ave Verum. Case made, I think. Pure soup with dumplings. penitential indeed.
The quality of "attack"
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Colin Davis's Ave Verum
Going back to attack, I dimly remember an acoustics lecture where a note was played (on a steam-driven tape recorder) by a trumpet and then by a flute. But the beginning of the note (i.e. the 'attack') had been omitted. You could not tell which was which.
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Originally posted by ardcarp View PostMy God wasn't it horrible?
Going back to attack, I dimly remember an acoustics lecture where a note was played (on a steam-driven tape recorder) by a trumpet and then by a flute. But the beginning of the note (i.e. the 'attack') had been omitted. You could not tell which was which.
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Martin
I wonder whether we should be using the term 'articulation' rather than 'attack'. That would allow us to talk about the techniques involved in producing a note, whether keyboard, wind or strings. As well as pressure and weight of finger(s) or bow, there is nearly always the speed of the articulation - the speed of the key being depressed, the speeed of the bow stroke - which has a significant impact on the note produced, how strong and long the initial impact is, and the quality of the sound thereafter, as the note is held for however long it may be. Does that make any sense?.
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