Not good pieces by good composers

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  • teamsaint
    Full Member
    • Nov 2010
    • 25204

    Originally posted by Roehre View Post
    With the possible exception of no.8 (the one of which Mendelssohn made a version with winds) I agree.
    But FMB didn't publish them.

    A composer with hardly any weaknesses in his output (as he destroyed everything which he thought was under par) nevertheless published one: Brahms' Triumphlied op.55 for choir and orchestra, celebrating the unity of Germany under Bismarck, 1871. IMO a handelian misconception, musically and certainly textually.
    Well I will give no 8 another go. As I suggested, no slur intended on FMB, whose music is, in general, an absolute joy !!

    And equally, will give the Brahms a miss.
    On the subject of Brahms, can't really get on with the Piano sonatas. Perhaps I am listening all wrong ?!
    I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

    I am not a number, I am a free man.

    Comment

    • cloughie
      Full Member
      • Dec 2011
      • 22118

      Originally posted by teamsaint View Post
      the Mendelssohn string symphonies.
      I know he was very young, but i just cannot understand what some people see in them. They may be a real achievement for one so young, but they are a dull old listen in my view.
      The answer is to adopt the Johnny Cash approach - One piece at a time.

      Comment

      • LeMartinPecheur
        Full Member
        • Apr 2007
        • 4717

        Originally posted by teamsaint View Post
        On the subject of Brahms, can't really get on with the Piano sonatas. Perhaps I am listening all wrong ?!
        Start with #3 and work backwards? - the 3rd for me has some of his most gorgeous music, esp the 2nd movt.
        I keep hitting the Escape key, but I'm still here!

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        • 3rd Viennese School

          Tchaikovsky.

          not neglect as in Prokofiev 6, but most non musical people seem to know Peter for the usual ballets (he only wrote 3!) and not his better music, the darker symphonies, some of the overtures etc.

          I'm not on about educated listeners here by the way!

          3VS

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          • teamsaint
            Full Member
            • Nov 2010
            • 25204

            Originally posted by LeMartinPecheur View Post
            Start with #3 and work backwards? - the 3rd for me has some of his most gorgeous music, esp the 2nd movt.
            Had a look, but can't find any recordings of #3 played backwards !!!

            Anyway,i played an orthodox forward version instead, and it turns out you are right. Great stuff, made for a really good drive to Bath this morning.

            Cheers !!
            I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

            I am not a number, I am a free man.

            Comment

            • Roehre

              Chopin: piano trio op.8 and cello sonata op.65

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              • Op. XXXIX
                Full Member
                • Nov 2010
                • 189

                Originally posted by Roehre View Post
                Chopin: piano trio op.8 and cello sonata op.65
                Too often they sound like weakly accompanied piano concertos.

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                • Ferretfancy
                  Full Member
                  • Nov 2010
                  • 3487

                  Originally posted by Op. XXXIX View Post
                  Too often they sound like weakly accompanied piano concertos.
                  You mean as boring as Chopin's own piano concertos ? ( I do own good versions of them, but they really are awful waffle ! )

                  Comment

                  • cloughie
                    Full Member
                    • Dec 2011
                    • 22118

                    Originally posted by Ferretfancy View Post
                    You mean as boring as Chopin's own piano concertos ? ( I do own good versions of them, but they really are awful waffle ! )
                    I don't mind the Concerti, but I'm not that keen on most of his solo piano works - particularly in large doses!

                    Comment

                    • Roehre

                      Originally posted by Ferretfancy View Post
                      You mean as boring as Chopin's own piano concertos ? ( I do own good versions of them, but they really are awful waffle ! )
                      With which assessment I only can agree

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                      • Panjandrum

                        Originally posted by Ferretfancy View Post
                        You mean as boring as Chopin's own piano concertos ? ( I do own good versions of them, but they really are awful waffle ! )
                        Love them both - real young man's music, particularly the effervescent finales. You must have forgotten what it's like to be young ferret!

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                        • Suffolkcoastal
                          Full Member
                          • Nov 2010
                          • 3290

                          I quite like the E minor Concerto, which I don't think is that bad a piece either. The F minor though bores me rigid, especially the slow movement, endless figuration and no substance. Strangely it tends to be the F minor that gets performed and broadcast more often these days.

                          Comment

                          • Roehre

                            Originally posted by Suffolkcoastal View Post
                            I quite like the E minor Concerto, which I don't think is that bad a piece either. The F minor though bores me rigid, especially the slow movement, endless figuration and no substance. Strangely it tends to be the F minor that gets performed and broadcast more often these days.
                            I like no.1 definitely as well. It is the later of the two. What we now know as the second concerto was composed before the first, but Chopin was forced to re-compose the piece as he lost the score somewhere.
                            The orchestral accompaniment of the 2nd mvt can be omitted without any loss of its musical contents, and was quite regularly played in this form, and I do recall even some recordings of it as stand-alone piano piece.
                            I prefer this concerto's piano quintet version, as in that way Chopin at least succeeded in "covering up" some of his deficiencies in orchestral writing.

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                            • Ferretfancy
                              Full Member
                              • Nov 2010
                              • 3487

                              Originally posted by Panjandrum View Post
                              Love them both - real young man's music, particularly the effervescent finales. You must have forgotten what it's like to be young ferret!
                              Well, thanks Panjandrum! It's been a while admittedly, but I do still have a few youthful enthusiasms left!

                              I think my problem with the Chopin concertos is that they seem such routine stuff, and that's baffling when the solo piano works are so great.

                              Comment

                              • Chris Newman
                                Late Member
                                • Nov 2010
                                • 2100

                                Originally posted by Ferretfancy View Post
                                You mean as boring as Chopin's own piano concertos ? ( I do own good versions of them, but they really are awful waffle ! )
                                Chopin's solo piano works in the hands of say Peter Katin or Artur Rubinstein are absolute bliss. They sound like the ideal music for the piano.

                                Sadly, the concertos are worse than waffle (Ferretfancy is too kind). No 1 opens orchestrally as if we will hear grand robust stuff (Weber and Auber spring to mind as contemporaries: don't mention LvB!) but as soon as the piano comes in the piece goes into terminal decline. No 2 never even gets that far, falling flat at the beginning.

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