After treading on so many sensitive toes by expressing my dislike of the Reformation Symphony and Elijah I have to say that there is much of Mendelssohn's output that I adore: the Italian, Scottish and those relatively recently rediscovered youthful string symphonies, the quartets, Violin Concerto, A Midsummer Night's Dream (preferably with a good bit of the play included), most of the overtures. Much of his music has an airiness and strength that is wonderfully bracing. There are a few works however when too much teutonic dumpling seems to prevent them floating for me.
Jayne and others, I have tried endlessly with the Reformation Symphony. Four live performances and two recordings behind me and I still cannot get to love it. That is probably why I erroneously spotted a thematic connection with Schubert 9 (especially as I knew Felix M premiered the Great C Major: belatedly, but that was not his fault, of course. Thank you, Felix, for doing so.) and I had not absorbed the gist of copious programme notes I have read on the Reformation Symphony. I have sung in Elijah and have the famous Frubeck de Burgos recording but still do not succeed with it. I am sure these works are my loss.
Jayne and others, I have tried endlessly with the Reformation Symphony. Four live performances and two recordings behind me and I still cannot get to love it. That is probably why I erroneously spotted a thematic connection with Schubert 9 (especially as I knew Felix M premiered the Great C Major: belatedly, but that was not his fault, of course. Thank you, Felix, for doing so.) and I had not absorbed the gist of copious programme notes I have read on the Reformation Symphony. I have sung in Elijah and have the famous Frubeck de Burgos recording but still do not succeed with it. I am sure these works are my loss.
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