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Since we seem to be happy for a (get it?...) ... for a wider survey of old Gabriel's music, I think my favourite performance of a choral work is this one of the Cantique de Jean Racine http://www.naxosmusiclibrary.com/pre...D=V4879&path=3 It can seem rather soupy and sentimental, that piece - not a bit of it there, wonderful vocal and organ textures with a distinct French timbre. Addictive
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Since we seem to be happy ... for a ... wider survey of old Gabriel's music...
calimera sou -
glad you have ordered the Collard - you won't regret it!
... you might, of course, wish to supplement with Charles Owen's 2 CD survey of the Nocturnes - and Pascal Rogé on decca: impromptus, nocturnes, barcarolles...
Buy Chamber Works by Gabriel Faure, The Nash Ensemble, Quintetto Faure di Roma, Ames Piano Quartet, Amati Quartet, Sarah Walker, Thomas Igloi, Clifford Benson, Wladsilav Warenberg, Sara Crombach from Amazon's Classical Music Store. Everyday low prices and free delivery on eligible orders.
Best things on it are the violin sonatas played by Krysia Osostowicz and Susan Tomes.
I bought it a couple of years ago, but it looks to me that the new Virgin set is overall preferable.
If Mr McGregor prowls these precincts incognito, I would nominate it for detailed coverage in an early post-Prom new season CD Review programme
Ah ha! Mr McG just said this set would be featuring in next Saturday's CD Review (I'm sure they were planning it already, before I started this thread )
And Dave: could you explain your mathematicians and logicians aside ? Got my Saturday brain in here
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
If there are 4 CDs, answer 4;
If there are 5 CDs, answer 5
Otherwise respond with some other, possibly sensible answer, such as "6",' "I don't know" etc.
Mathematicians operating in logic mode would do this:
1. Are there 4 CDs? - note down True if there are, otherwise False
2. Are there 5 CDs? - note down True if there are, otherwise False
3. To evaluate " Are there 4 or 5 CDs" treat this as "Are there 4 CDs or are there 5 CDs?"
Cases
: there are 4, so 1 is True, 2 is False -> result is True OR False, which has the value True (so say Yes)
: there are 5, so 1 is False, 2 is True-> result is False OR True, which has the value True (so say Yes)
: any other number, then both 1,2 are False, so the result is False OR False, which has the value False (so say No).
I put OR in Caps to distinguish it from the "normal" usage. Mathematicians sometimes use a symbol which looks a bit like 'v', as in A v B to mean OR.
Another example of expected (unexpected?) societal responses
:
Peter Sellers "Do you know where the Royal Hotel is?".
Man in street "Yes"
The first time I saw this I didn't think it was funny.
When I saw it again I'd visited Switzerland, and thought it hilarious! The scene took place in Switzerland, allegedly.
"We have in the studio Bertrand Russell, who talked to us in the series “Sense Perception and Nonsense: Number 7, Is this a dagger I see before me?” - Bertrand Russell...."
Bertrand Russell: "One of the advantages of living in Great Court, Trinity, I seem to recall, was the fact that one could pop across at any time of the day or night and trap the then young G.E. Moore into a logical falsehood by means of a cunning semantic subterfuge. I recall one occasion with particular vividness. I had popped across and had knocked upon his door. "Come in", he said. I decided to wait awhile in order to test the validity of his proposition. "Come in", he said once again. "Very well", I replied, "if that is in fact truly what you wish".
I opened the door accordingly and went in, and there was Moore seated by the fire with a basket upon his knees. "Moore", I said, "do you have any apples in that basket?" "No", he replied, and smiled seraphically, as was his wont. I decided to try a different logical tack. "Moore", I said, "do you then have some apples in that basket?" "No", he replied, leaving me in a logical cleft stick from which I had but one way out. "Moore", I said, "do you then have apples in that basket?" "Yes", he replied. And from that day forth, we remained the very closest of friends.' "
From Jonathan Miller [St John's], 'Portrait from Memory', on the LP Beyond the Fringe (1962)
Seems good to me. Some of Paavo Järvi's recent work has been very good, particularly with the German Chamber Orchstra of Bremen, though not the orchestra here. The Rutter version (Conifer? Maybe Collegium now?) is good too - and I also have the Cluytens with de Los Angeles and Fischer-Dieskau.
I last looked at a Linguistics book in 1972; I last looked at a Logic textbook in 1974.
Was happy to look at them then; happier still that I no longer feel a duty to keep up...
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