Ned Rorem (1923-2022)

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  • richardfinegold
    Full Member
    • Sep 2012
    • 7667

    #16
    Originally posted by Pulcinella View Post
    If you're a fan of Susan Graham, you could try this CD of Rorem songs:

    Songs of Ned Rorem. Erato: 8573802222. Buy download online. Susan Graham (mezzo-soprano), Malcolm Martineau (piano)


    The only writing I have read of his is Knowing when to stop (though as one wag put it, he didn't seem to!):

    https://www.amazon.co.uk/Knowing-Whe...s%2C63&sr=1-18
    I remember when that SG disc came out, as a few of the songs were played on our station at the time. They have been playing many more Rorem songs, including some from that SG album, this past weekend.

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    • JasonPalmer
      Full Member
      • Dec 2022
      • 826

      #17
      Ned is composer of the week....



      he seems to have kept diaries so we know a lot about him, interesting music, very modern to my ears
      Annoyingly listening to and commenting on radio 3...

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      • Pulcinella
        Host
        • Feb 2014
        • 10950

        #18
        Originally posted by JasonPalmer View Post
        Ned is composer of the week....



        he seems to have kept diaries so we know a lot about him, interesting music, very modern to my ears
        Really? I must check what they're playing.
        Perhaps should cross-reference to the Quakerism and Music thread, though his somewhat outrageous behaviour in his twenties and his waspish tongue don't really chime with Quaker values.

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        • Serial_Apologist
          Full Member
          • Dec 2010
          • 37696

          #19
          Rorem. we're told, was noted as a songsmith, and it was a gift for melody which informs his earliest music from the 1940s and 50s, featured in the first programme. The second introduces a more modernist element, especially in the 15-minute orchestral piece "Lions" from 1963, opening with Vaughan Williamsy chords before entering darker moods steeped in deep glowing orchestral combinations, into which Rorem abruptly inserts what could pass as a jazz ballad, performed here by Branford Marsalis's quartet, with emerging disquiet from dissonant murmurings erupting in expressionistic violence to round off - all rather odd. A couple of conventional religious choral settings and concluding Satieesque set from a suite of pieces for flute and piano or harp concluded this second episode.

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