Conductor and pianist Daniel Barenboim, a towering cultural figure of our time, has announced that he is stepping back from performing for health reasons.
Daniel Barenboim
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Originally posted by kernelbogey View PostConductor and pianist Daniel Barenboim, a towering cultural figure of our time, has announced that he is stepping back from performing for health reasons.
https://www.theguardian.com/music/20...health-reasons
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Originally posted by Ein Heldenleben View PostVery sad news - one of the greats. David Cairns ( I think ) once compared his career to Frank Liszt’s and I don’t think he was guilty of hyperbole.
D.B. was the star of one of my first albums, a Westminster recording of the Beethoven PC3, a disc that fired my love for Classical Music in general and Beethoven in particular. I generally was still a devoted fan until he assumed the Chicago post, and then repeated exposure dulled the luster somewhat, although I have continued to buy recordings up until a few weeks ago, his Brahms with the Berlin Staatkapelle. His life has been a book with many chapters. We wish him well.
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Originally posted by Ein Heldenleben View PostVery sad news - one of the greats. David Cairns ( I think ) once compared his career to Frank Liszt’s and I don’t think he was guilty of hyperbole.
I hope he enjoys a happy retirement.
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I should think the Liszt comparison was prompted by his many activities aimed at helping musicians, and others, often setting aside his own talents to do so.
One thread which runs through his career was musical education. I remember his TV programmes on Beethoven around the 1970 Bicentenary. Later he asked for a miniature score to be included in his record of Tchaikovsky's fourth Symphony, despite the trade's reluctance to handle such an unusual item . And hearing the West-Eastern Divan Orchestra play at the Proms made me think I'd never heard Beethoven's symphonies played with such freshness and enthusiasm. He didn't have to do any of these things; he could have just made money . But like Liszt he felt he had an obligation to others.
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I loved the young man as pianist, but have not enjoyed his conducting work so much. I treasure such things as the the Orfeo Salzburg 'Waldstein', and a recent release on the BPO Digital Concert Hall of a 1994 Brahm PC2 with Abbado, where he is as good as ever, at least the equal of his marvellous performance on disc with Barbirolli.
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Not sure if others had posted on the announcement yesterday, that Barenboim is stepping down from the Staatsoper Unter den Linden / Berlin Staatskapelle at the end of this month:
Given his recent health travails, this isn't a surprise. But this definitely qualifies as a true "end of an era" announcement. Barenboim is still on the Berlin Philharmonic's calendar for this weekend, with Robert Schumann's Piano Concerto, with Martha Argerich as soloist (and one occasion where she's definitely not cancelling), and Brahms 2:
Today's performance is scheduled to be on the BPO's Digital Concert Hall.
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I paid €4.90 on Saturday (8pm CET) to watch Daniel Barenboim on La Scala TV conduct Mozart 39-41 at La Scala, Milan. Lugubrious tempi, but singing melodic lines and heartfelt responses from the close-miked orchestral players.
The audience loved it.
’The 80-year-old conductor got a call at 7:15 a.m. on [the previous] Sunday with an unexpected invitation to conduct three Mozart concerts, after Daniel Harding canceled for family reasons. By Wednesday, Barenboim, who left his Berlin post for health reasons, was running rehearsals at La Scala, a theatre where he worked for nearly a decade as chief visiting conductor before becoming its musical director.’ (Independent)
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