....glad you are back smittims....
Old Mozart Piano Sonata Recordings.
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I like Gieseking very much, but that Mozart set seems to me not so interesting - but it’s enormous and I could well have missed the best bits. Maybe you could point to a track.
I listened to some Gieseking last week in fact - Grieg lyric pieces and the Bach English suites seem to me have unbelievable sweep, as if he spits whole movements out in a single unbroken stream of sound. All his faults are forgiven because he’s so radiant and fresh, and because the phrasing is so vigorous and alive.
But I haven’t found this with the solo Mozart.
One very very bizarre Gieseking Mozart thing is the slow movement of 491 with Karajan.
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I'm a dyed-in-the -wool Gieseking fan since 1971 and for me he has has no faults!
The first movement of the sonata in E flat, K282 swept me away with his apprehension of its stoic melancholy. I'm glad to hear you enjoyed his Bach and Grieg, two highlights in his repertoire. But you're in good company: his Mozart didn't win praise from the critics.
He was quite a friend of Karajan, or 'Herbertchen' as he called him. They were both pupils of Karl Leimer. They had a mad week at Kingsway Hall in 1951 recording probably too many concertos, Grieg, Schumann, two Beethovens, Mozart, etc. I love them all; but Herbert didn't go in for accompanying concertos much after that.
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Originally posted by smittims View Post
The first movement of the sonata in E flat, K282 swept me away with his apprehension of its stoic melancholy..
The other thing I really enjoyed last week was the 1949 op 111/ii (LvB)
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I think a little context can help. Gieseking was in a bad road accident in the late '40s in which his wife died and he suffered two broken ankles. I sense a different mood in his playing after that. His previously bouyant personality aquired a darker patina.
He was in the middle of a complete Beethoven sonatas series at Abbey Road in October 1956 when he was suddenly taken ill and died of post-op problems. Quite a few of his famous recordings were issued posthumously.
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AArgh! You have my full sympathy, Mandryka.
Another old Mozart sonata recording which has given me pleasure is Emil Gilels' Columbia disc of the B flat sonata K570, 33CX 1217. One of a number of sessions he recorded in Paris in the mid-'50s, maybe the first time he was let out of Russia. I'm not a Gilels fan so it was a pleasant surprise to hear such beautiful playing. I suppose it's on CD somewhere in a massive Gilels Edition.
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Originally posted by smittims View PostAnother old Mozart sonata recording which has given me pleasure is Emil Gilels' Columbia disc of the B flat sonata K570, 33CX 1217. One of a number of sessions he recorded in Paris in the mid-'50s, maybe the first time he was let out of Russia.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by smittims View PostAArgh! You have my full sympathy, Mandryka.
Another old Mozart sonata recording which has given me pleasure is Emil Gilels' Columbia disc of the B flat sonata K570, 33CX 1217. One of a number of sessions he recorded in Paris in the mid-'50s, maybe the first time he was let out of Russia. I'm not a Gilels fan so it was a pleasant surprise to hear such beautiful playing. I suppose it's on CD somewhere in a massive Gilels Edition.
This Gilels recording has been released by Doremi - unless I’m mistaking yours for another - and there’s a very similar one on Testament (which I bought for the Shostakovich but was very pleased by how satisfying the Mozart performance was.)
By the way, this afternoon I listened to Edwin Fischer’s wonderful Danish recording of K491. It’s such a shame that he didn’t record more solo Mozart I think. He was a great Mozartian.
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Originally posted by Mandryka View PostBy the way, this afternoon I listened to Edwin Fischer’s wonderful Danish recording of K491. It’s such a shame that he didn’t record more solo Mozart I think. He was a great Mozartian.
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