I’ve really enjoyed going back to some old Mozart sonata recordings these past couple of weeks. It all started with Horowitz’s studio 333 - it’s full of life. Then there was Richter’s 310 from London in the 1980s - such distinctive and distinguished musicianship.
And this afternoon I dug out the very late recordings Landowska made, 1955 I think - clearly quirky, clearly an old person at the piano, and I would say clearly full of wisdom too.
And this afternoon I dug out the very late recordings Landowska made, 1955 I think - clearly quirky, clearly an old person at the piano, and I would say clearly full of wisdom too.
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