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"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Not wishing to get all nationalistic about this, but wasn't the New Generation Artists scheme intended for indigenous talent?
No idea. I’m rather glad it’s not insular, far too much of that around these days
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
No idea. I’m rather glad it’s not insular, far too much of that around these days
True - admittedly I come to this from the enormous amount of jazz broadcast from abroad these days when outside currently fashionable circles so much going on in this country gets barely a mention!
Not wishing to get all nationalistic about this, but wasn't the New Generation Artists scheme intended for indigenous talent?
No, it was always aimed at young artists at the beginning of their careers on both the national and international music scenes. The first artists included on the scheme in 1999 were
Lisa Batiashvili (violin - Georgia)
Alban Gerhardt (cello - Germany)
Steven Osborne (piano - UK)
Paul Lewis (piano - UK)
Belcea Quartet (UK)
Jerusalem Quartet (Israel)
François-Frédéric Guy (piano - France)
Natalie Clein (cello - UK)
Lisa Milne (soprano - UK)
Christopher Maltman (baritone - UK)
Emily Beynon (flute - UK)
Leopold String Trio (UK)
"I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
The scheme was started by Adam Gatehouse and I think he just used to go on a talent crawl so it would have been a matter of who he got to hear. Since there were only 6-7 musicians per year, it was probably the first ones that satisfied his criteria (different countries, different instruments &c). He also probably had contacts who suggested possible candidates. He hasn't been with the BBC for some time so I don't know who does it now.
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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