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I listened to the programme - which was quite interesting, but somehow left me wanting more, and I can't quite put my finger on what that would be. The idea of taking the violin back to the forest from which its wood had been harvested was an inspiring one, though.
I listened to the programme - which was quite interesting, but somehow left me wanting more, and I can't quite put my finger on what that would be. The idea of taking the violin back to the forest from which its wood had been harvested was an inspiring one, though.
Carved heads & scrolls? Surface finish, varnishing...?
The cat? (What a horrible thought)
I liked the materials science (of wood) & acoustics parts.
Bryn, is this the Brautigam cover discussion? (Or here?)
What, no Brautigam or Barenboim? I concur as regards Viviana Sofronitsky survey. Her set deserves to be much more widely known. It helped to have had her hubby knock her instrument together. A process illustrated on the covers of the individual releases of the Brautigan survey (he used instruments by the same builder).
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