Not looking to make friends here, but I've removed 24 (definitely a record) off-topic posts. Please try to keep on topic, without diverging into general politics, numbers of marriages, etc.
Rattle To Leave LSO?
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Originally posted by Eine Alpensinfonie View PostNot looking to make friends here, but I've removed 24 (definitely a record) off-topic posts. Please try to keep on topic, without diverging into general politics, numbers of marriages, etc.
He conducted it brilliantly .....
And that’s what matters isn’t it ?
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Originally posted by jayne lee wilson View PostI'll take this from you, my dear, but from anyone else.....!! The acid invective awaits....
Oh, you got off lightly here.....
And as I said......
If MGT (very unwisely!) left the CBSO for the LSO as Lebrecht suggested (you will note his moralising self-contradiction), would she then receive similar censure on this thread
Anyway, exhausted after the trek to the far woods.....and not a clue what to eat or drink..... I guess soup is the usual answer....
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Guardian opinion article here:
A new role in Germany means the ‘world-class concert hall’ planned for the capital has lost its champion. Is that so terrible? asks the Guardian’s chief culture writer Charlotte Higgins
(Apologies if already posted: I've not been following the thread, but thought that this might be of interest.)
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Originally posted by Heldenleben View PostHe conducted it brilliantly .....
And that’s what matters isn’t it ?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Eine Alpensinfonie View PostNot looking to make friends here, but I've removed 24 (definitely a record) off-topic posts. Please try to keep on topic, without diverging into general politics, numbers of marriages, etc.
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Originally posted by french frank View PostIt's what's of prime interest to the audience/listener undoubtedly, and managements probably take their lead from that (need to pull in the audiences), whatever their reservations. Though it's arguable whether any connection between him and the count gave him an advantage over any other conductor! There are other characters in the story besides the count.
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Originally posted by Heldenleben View PostAt the risk of getting into deep water - isn’t experience of human frailties quite useful in both writing probably the greatest opera on human relations and indeed conducting it? Just been reading Solomon’s biography of Mozart . He clearly had a period of straying - doesn’t that make him more human and an (even) greater musico- dramatist?
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Originally posted by jayne lee wilson View PostAbsolutely... .... but, despite a few startling exceptions (genius knows no rules or conventions) I think it applies to all Art, in its creation and and performance, and conductors do tend to improve with age and experience..(not only of the music)....
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Originally posted by Heldenleben View PostAt the risk of getting into deep water - isn’t experience of human frailties quite useful in both writing probably the greatest opera on human relations and indeed conducting it? Just been reading Solomon’s biography of Mozart . He clearly had a period of straying - doesn’t that make him more human and an (even) greater musico- dramatist?
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Originally posted by Pulcinella View PostGuardian opinion article here:
A new role in Germany means the ‘world-class concert hall’ planned for the capital has lost its champion. Is that so terrible? asks the Guardian’s chief culture writer Charlotte Higgins
(Apologies if already posted: I've not been following the thread, but thought that this might be of interest.)
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