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Part of the beauty of software modular is the ability to share ideas. Here are just those kinds of tips and tricks, and you can try them right now - free.
You mean the book the blogposts are inspired by, not the composition! Thanks for the link, I shall certainly read it. Although, familiar with DNS as I am, I’ll have to try to sift out the interesting facts and comments by the composer from the rest of the verbiage which doesn’t seem so promising.
Well I’ve taken the plunge and joined Scribd to read it.
Interesting how the book very much presents DNS as a sequence of studies, and that the recording plays the two series with each piece blending - very effectively blending IMO - into the next.
I doubt it, given the enormous evolution in electronic music techniques in the half century since it was written, but it's fairly easy to find a pdf copy if you want to read it.
I doubt it, given the enormous evolution in electronic music techniques in the half century since it was written, but it's fairly easy to find a pdf copy if you want to read it.
Seems that individual module components from the Surge synth are available in VCVRack, and these can be tested and run within Cardinal in several other host environments.
Might interest anyone who wants to play around. The video shown here gives some clues.
Now playing: François Bayle, Toupie dans le ciel, one of my favourite electronic compositions and one which seems to establish a whole new "style" of its own, derived from the techniques and sounds of musique concrète on the one hand, and the "minimalism" of Terry Riley on the other. Each of its many layers is always rotating in articulation and perspective, but the overall sound remains hypnotically consistent.
Now playing: François Bayle, Toupie dans le ciel, one of my favourite electronic compositions and one which seems to establish a whole new "style" of its own, derived from the techniques and sounds of musique concrète on the one hand, and the "minimalism" of Terry Riley on the other. Each of its many layers is always rotating in articulation and perspective, but the overall sound remains hypnotically consistent.
Now playing: Morton Subotnick, Sidewinder, the Mode reissue (originally released in 1971 on CBS as a quadraphonic LP). Sidewinder, like many of Subotnick's electronic compositions, was created using a Buchla synthesizer, a very different sort of device from the contemporaneous ones from Moog and EMS and highly suited to Subotnick's improvisational approach to electronic sound (or should that be the other way around?).
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