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Ah, yes; the problem of definitions when describing music. I suppose that could be a new thread in its own right.
I would say an unedited recording of nature is not a 'composition' as it wasn't composed, i.e. elaborated by a decision-making intellect.
Similar concerns apply to photography. Nature photography and landscapes are sometimes said to be 99% by “god” and 1% by the photographer, rather than some more “creative” images in which the photographer actively manipulates elements for the end result, and at possibly different stages - before clicking the shutter, or in post production.
... in next week's Radio Times, Saturday 8 April 10pm on radio 3 - New Music Show
"Tom Service presents recent concert performances of music by Richard Barrett, recorded at Bangor New Music Festival and at Leeds University"
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Thanks for flagging that up! I didn't realise it was being broadcast this weekend. (And I'm not at all sure what the Leeds material is, so I shall have to tune in myself!)
Thanks for flagging that up! I didn't realise it was being broadcast this weekend. (And I'm not at all sure what the Leeds material is, so I shall have to tune in myself!)
Sat 8 April
10pm - New Music Show Tom Service presents recent concert performances of music by Richard Barrett, recorded at Bangor New Music Festival and at Leeds University.
I'm not sure how this comment relates to the thread... anyway, now playing: Toshimaru Nakamura, No-Input Mixing Board (2000) - https://www.youtube.com/watch?v=gWzc1lY3Z9o - actually the first in an ongoing series of similarly-titled albums. The technique invented by Nakamura, for those who don't know, consists principally of connecting a mixer to itself so as to create feedback loops, which can then be controlled (to a certain extent) using the faders and other controls of the mixer. Many creative musicians have subsequently become interested in this instrument, but Nakamura remains its most imaginative exponent as far as I'm concerned.
Sat 8 April
10pm - New Music Show Tom Service presents recent concert performances of music by Richard Barrett, recorded at Bangor New Music Festival and at Leeds University.
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