Originally posted by rauschwerk
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With respect, I beg to differ...
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Originally posted by MrGongGong View PostI can't stand the famous recording of the Elgar cello concerto
I'm not 100% sure that it's the playing OR the whole narrative around it
and it's NOT that I hate her playing OR Elgars music (though he did set some terrible poetry at times ) but it just comes over as overblown and indulgent
(hides behind sofa)
Apologies for veering off-road !
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Originally posted by visualnickmos View PostSlightly off-topic, so I'll keep this very brief; Her not-so-famous recording with her husband is (IMVVHO) far more piquant - NOT in the least 'slushy'. I know exactly what you mean; you may well totally disagree..... I thought it was worth mentioning, that's all.
Apologies for veering off-road !
I'll check it out
Would be good to hear it
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Originally posted by MrGongGong View PostThanks for that
I'll check it out
Would be good to hear it
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Originally posted by rauschwerk View PostWhich of the three? All of them?
For me. nobody can equal Robert Tear's recording with Alan Civil and the Northern Sinfonia under Sir Neville Marriner.
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Originally posted by LMcD View PostAs it happens, today's streamed Wigmore Hall Lunchtime Concert included a delightful set of variations on a theme by Count Waldstein!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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I find the Carlos Kleiber Beethoven 5 and 7 the least interesting of his studio recordings and not a patch on the live recordings available. I keep returning to them expecting to change my mind, but they never grab me. I can't point to anything wrong with them, but I have never understood why they are routinely praised so highly. It actually bothers me a bit because I think I must be missing something that others are able to hear.
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