As mentioned elsewhere, I would like to get to know the Finzi Song cycles, and this seems a good time to do just that.
I treated myself to the Collected Songs (Boosey & Hawkes), which contains the music for 54 songs; Opus 14 is not included, but there are additional ones from Love's Labour's Lost.
The voice and piano cycles are:
Opus 13a: To a poet (6 songs)
Opus 13b: Oh fair to see (7 songs)
Opus 14: A young man’s exhortation (10 songs)
Opus 15: Earth and air and rain (10 songs)
Opus 16: Before and after summer (10 songs)
Opus 18: Let us garlands bring (5 songs)
Opus 19a: Till Earth outwears (7 songs)
Opus 19b: I said to love (6 songs)
I don't intend doing any sort of comparative performance review of the recordings I have (hence I'm posting on this thread rather than the Recordings in discussion thread), but I'll list them in a subsequent post.
I know that there are other members of the Forum for whom these songs are very special, and it would be good to see some contributions about which ones particularly appeal and why. Pabmusic, on the Composers thread, has already informed us that the only instance where Finzi sets a syllable to more than one note is in For life I had never cared greatly (the fifth song in I said to love).
I'm looking forward to my project immensely, and (as also already mentioned) may even try my hand at the piano accompaniments, which I'm sure are rewarding in themselves.
I treated myself to the Collected Songs (Boosey & Hawkes), which contains the music for 54 songs; Opus 14 is not included, but there are additional ones from Love's Labour's Lost.
The voice and piano cycles are:
Opus 13a: To a poet (6 songs)
Opus 13b: Oh fair to see (7 songs)
Opus 14: A young man’s exhortation (10 songs)
Opus 15: Earth and air and rain (10 songs)
Opus 16: Before and after summer (10 songs)
Opus 18: Let us garlands bring (5 songs)
Opus 19a: Till Earth outwears (7 songs)
Opus 19b: I said to love (6 songs)
I don't intend doing any sort of comparative performance review of the recordings I have (hence I'm posting on this thread rather than the Recordings in discussion thread), but I'll list them in a subsequent post.
I know that there are other members of the Forum for whom these songs are very special, and it would be good to see some contributions about which ones particularly appeal and why. Pabmusic, on the Composers thread, has already informed us that the only instance where Finzi sets a syllable to more than one note is in For life I had never cared greatly (the fifth song in I said to love).
I'm looking forward to my project immensely, and (as also already mentioned) may even try my hand at the piano accompaniments, which I'm sure are rewarding in themselves.
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