A lovely thread. My musical homeland - several thousand miles from the geographical homeland of my ancestors! - is Vaughan Williams, Holst, Benjamin Britten; and the heartland of that homeland would be Vaughan Williams' Fifth Symphony. My Literary homeland (sorry to wander off topic) would be Tolstoy, Turgenev, Chekhov (but perhaps not Dostoevsky).
Your musical homeland
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Originally posted by antongould View Post.... ah and just when I was pretending to be under 70 ...
Hope you have lots of Anton, Gould, and Igor to listen to if you find you are confined to quarters.
Then there's all those Finzi songs: getting to know them would make a good project!
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Originally posted by Bella Kemp View PostA lovely thread. My musical homeland - several thousand miles from the geographical homeland of my ancestors! - is Vaughan Williams, Holst, Benjamin Britten; and the heartland of that homeland would be Vaughan Williams' Fifth Symphony. My Literary homeland (sorry to wander off topic) would be Tolstoy, Turgenev, Chekhov (but perhaps not Dostoevsky).
The heartland of my homeland, as you so eloquently put it, would be the Tallis Fantasia, but I also rate the 5th symphony very highly. I didn't realize that I currently have 4 recordings: Handley/RLPO, Barbarolli/Halle (1944), Boult/LPO (1970) and Davis/BBCSO (BBC Music Magazine).
I hope life in the capital doesn't become too grim. I commuted in every workday during the miner's strike and the IRA bombing campaign, but what's unfolding now is in an entirely different league. The 3 composers you name, plus Elgar and Sibelius, will certainly help me through!
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Originally posted by BBMmk2 View PostFor me, it has to be Vaughan Williams, Elgar, Bax and Bach. Or mostly late 19th century to 1945 British music.
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Introspective music, such as the late Beethovian Piano Sonatas and Quartets, Debussy Piano Etudes, Bach WTC seem to fit my current mood. More extroverted music doesn’t click now. Yesterday I wound up switching off a doom laden Shostakovich Quartet and Bach Peasant Cantata, both of which seemed to be mucking up my inner seratonin levels
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Big, lush orchestral music, with lots of string vibrato, played at a 'musical' tempo (without OCD adherence to metronome markings). I'm less keen on vocal vibrato and abhor it on French horn and clarinet. The romantic era is central, but not exclusive - big band baroque and classical performances get my vote, even when the fashion designers poo-poo it.
A Norrington-free zone.
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Originally posted by Eine Alpensinfonie View PostBig, lush orchestral music, with lots of string vibrato, played at a 'musical' tempo (without OCD adherence to metronome markings). I'm less keen on vocal vibrato and abhor it on French horn and clarinet. The romantic era is central, but not exclusive - big band baroque and classical performances get my vote, even when the fashion designers poo-poo it.
A Norrington-free zone.
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Originally posted by LMcD View PostI didn't want to come up with too many names, but Rawsthorne, Finzi, Butterworth, Britten (the latter post-1945 as well), among others, are important to me.
The list of British composers that are more important to me than so much other core repertoire is endless.
Frinstance Arnold,York Bowen,Alwyn,Howells .......“Music is the best means we have of digesting time." — Igor Stravinsky
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Originally posted by Pulcinella View PostStay safe and well!
Hope you have lots of Anton, Gould, and Igor to listen to if you find you are confined to quarters.
Then there's all those Finzi songs: getting to know them would make a good project!
54 songs for £17.77!
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Originally posted by Bryn View PostAs in "I likes what I likes and don't give a toss about what the composer intended".
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Originally posted by Eine Alpensinfonie View PostNot necessarily. I just answered the question honestly and openly. I don't claim to know what composers "intended", but I'm well aware of what they had to accept at the time of composition.
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