Your musical homeland

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  • Bella Kemp
    Full Member
    • Aug 2014
    • 481

    #31
    A lovely thread. My musical homeland - several thousand miles from the geographical homeland of my ancestors! - is Vaughan Williams, Holst, Benjamin Britten; and the heartland of that homeland would be Vaughan Williams' Fifth Symphony. My Literary homeland (sorry to wander off topic) would be Tolstoy, Turgenev, Chekhov (but perhaps not Dostoevsky).

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    • antongould
      Full Member
      • Nov 2010
      • 8832

      #32
      Originally posted by Pulcinella View Post

      Good to know he's high up in your ranks, Anton.
      But the comma wasn't in the question.
      I think you read this as:
      How did Igor rate, Anton?
      .... ah and just when I was pretending to be under 70 ...

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      • Pulcinella
        Host
        • Feb 2014
        • 11062

        #33
        Originally posted by antongould View Post
        .... ah and just when I was pretending to be under 70 ...
        Stay safe and well!
        Hope you have lots of Anton, Gould, and Igor to listen to if you find you are confined to quarters.

        Then there's all those Finzi songs: getting to know them would make a good project!

        Comment

        • LMcD
          Full Member
          • Sep 2017
          • 8637

          #34
          Originally posted by Bella Kemp View Post
          A lovely thread. My musical homeland - several thousand miles from the geographical homeland of my ancestors! - is Vaughan Williams, Holst, Benjamin Britten; and the heartland of that homeland would be Vaughan Williams' Fifth Symphony. My Literary homeland (sorry to wander off topic) would be Tolstoy, Turgenev, Chekhov (but perhaps not Dostoevsky).
          Currently playing on 'Breakfast' is Holst's Suite No. 1 for Military Band.
          The heartland of my homeland, as you so eloquently put it, would be the Tallis Fantasia, but I also rate the 5th symphony very highly. I didn't realize that I currently have 4 recordings: Handley/RLPO, Barbarolli/Halle (1944), Boult/LPO (1970) and Davis/BBCSO (BBC Music Magazine).
          I hope life in the capital doesn't become too grim. I commuted in every workday during the miner's strike and the IRA bombing campaign, but what's unfolding now is in an entirely different league. The 3 composers you name, plus Elgar and Sibelius, will certainly help me through!

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          • BBMmk2
            Late Member
            • Nov 2010
            • 20908

            #35
            For me, it has to be Vaughan Williams, Elgar, Bax and Bach. Or mostly late 19th century to 1945 British music.
            Don’t cry for me
            I go where music was born

            J S Bach 1685-1750

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            • MrGongGong
              Full Member
              • Nov 2010
              • 18357

              #36
              This


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              • LMcD
                Full Member
                • Sep 2017
                • 8637

                #37
                Originally posted by BBMmk2 View Post
                For me, it has to be Vaughan Williams, Elgar, Bax and Bach. Or mostly late 19th century to 1945 British music.
                I didn't want to come up with too many names, but Rawsthorne, Finzi, Butterworth, Britten (the latter post-1945 as well), among others, are important to me.

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                • Quarky
                  Full Member
                  • Dec 2010
                  • 2672

                  #38
                  Originally posted by MrGongGong View Post
                  This


                  I'm still holding. Let me know when to let go, please.

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                  • richardfinegold
                    Full Member
                    • Sep 2012
                    • 7737

                    #39
                    Introspective music, such as the late Beethovian Piano Sonatas and Quartets, Debussy Piano Etudes, Bach WTC seem to fit my current mood. More extroverted music doesn’t click now. Yesterday I wound up switching off a doom laden Shostakovich Quartet and Bach Peasant Cantata, both of which seemed to be mucking up my inner seratonin levels

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                    • Eine Alpensinfonie
                      Host
                      • Nov 2010
                      • 20572

                      #40
                      Big, lush orchestral music, with lots of string vibrato, played at a 'musical' tempo (without OCD adherence to metronome markings). I'm less keen on vocal vibrato and abhor it on French horn and clarinet. The romantic era is central, but not exclusive - big band baroque and classical performances get my vote, even when the fashion designers poo-poo it.

                      A Norrington-free zone.

                      Comment

                      • Bryn
                        Banned
                        • Mar 2007
                        • 24688

                        #41
                        Originally posted by Eine Alpensinfonie View Post
                        Big, lush orchestral music, with lots of string vibrato, played at a 'musical' tempo (without OCD adherence to metronome markings). I'm less keen on vocal vibrato and abhor it on French horn and clarinet. The romantic era is central, but not exclusive - big band baroque and classical performances get my vote, even when the fashion designers poo-poo it.

                        A Norrington-free zone.
                        As in "I likes what I likes and don't give a toss about what the composer intended".

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                        • Edgy 2
                          Guest
                          • Jan 2019
                          • 2035

                          #42
                          Originally posted by LMcD View Post
                          I didn't want to come up with too many names, but Rawsthorne, Finzi, Butterworth, Britten (the latter post-1945 as well), among others, are important to me.
                          I'm with you with those four names LMcD
                          The list of British composers that are more important to me than so much other core repertoire is endless.
                          Frinstance Arnold,York Bowen,Alwyn,Howells .......
                          “Music is the best means we have of digesting time." — Igor Stravinsky

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                          • Pulcinella
                            Host
                            • Feb 2014
                            • 11062

                            #43
                            Originally posted by Pulcinella View Post
                            Stay safe and well!
                            Hope you have lots of Anton, Gould, and Igor to listen to if you find you are confined to quarters.

                            Then there's all those Finzi songs: getting to know them would make a good project!
                            Have just taken my own advice and ordered this:



                            54 songs for £17.77!

                            Comment

                            • Eine Alpensinfonie
                              Host
                              • Nov 2010
                              • 20572

                              #44
                              Originally posted by Bryn View Post
                              As in "I likes what I likes and don't give a toss about what the composer intended".
                              Not necessarily. I just answered the question honestly and openly. I don't claim to know what composers "intended", but I'm well aware of what they had to accept at the time of composition.

                              Comment

                              • Bryn
                                Banned
                                • Mar 2007
                                • 24688

                                #45
                                Originally posted by Eine Alpensinfonie View Post
                                Not necessarily. I just answered the question honestly and openly. I don't claim to know what composers "intended", but I'm well aware of what they had to accept at the time of composition.
                                Ah, like Beethoven having to accept many of his works being performed at considerably slower tempi than he intended, and getting very miffed about it (as reported by Ferdinand Ries)?

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