Caught the end of the Franck A major sonata played on the cello, R3 lunchtime today, and indeed I know it is played and recorded like that pretty often. Is there anything to stop cellists doing the same trick with, say, the Beethoven violin sonatas? If so, is it a technical thing or is it that such a transcription would be seen as a 'moral' no-no, LvB commanding respect in a way that Franck doesn't? How many other violin sonatas get the cello treatment?
Violin sonatas on the cello
Collapse
X
-
Originally posted by LeMartinPecheur View PostCaught the end of the Franck A major sonata played on the cello, R3 lunchtime today, and indeed I know it is played and recorded like that pretty often. Is there anything to stop cellists doing the same trick with, say, the Beethoven violin sonatas? If so, is it a technical thing or is it that such a transcription would be seen as a 'moral' no-no, LvB commanding respect in a way that Franck doesn't? How many other violin sonatas get the cello treatment?
Comment
-
-
Didn’t Franck authorize the Cello version of his Sonata? I can’t imagine that Beethoven would have done the same. His Violin Sonatas tend to exploit the highest ranges of the Violin.The thought of the gruffest tone of the cello in the openings of the Spring or the Kruetzer doesn’t quicken my pulse. Otoh, there might be a possibility of going the reverse direction; op.69 on the Violin might be pretty exciting.
Comment
-
-
Originally posted by richardfinegold View PostDidn’t Franck authorize the Cello version of his Sonata? I can’t imagine that Beethoven would have done the same. His Violin Sonatas tend to exploit the highest ranges of the Violin.The thought of the gruffest tone of the cello in the openings of the Spring or the Kruetzer doesn’t quicken my pulse. Otoh, there might be a possibility of going the reverse direction; op.69 on the Violin might be pretty exciting.
[Such transcriptions can be found at the ISMLP site under "Arrangements and Transcriptions". ]
Comment
-
-
Originally posted by richardfinegold View PostDidn’t Franck authorize the Cello version of his Sonata? I can’t imagine that Beethoven would have done the same. His Violin Sonatas tend to exploit the highest ranges of the Violin.The thought of the gruffest tone of the cello in the openings of the Spring or the Kruetzer doesn’t quicken my pulse. Otoh, there might be a possibility of going the reverse direction; op.69 on the Violin might be pretty exciting.
Comment
-
-
Originally posted by richardfinegold View PostDidn’t Franck authorize the Cello version of his Sonata? I can’t imagine that Beethoven would have done the same. His Violin Sonatas tend to exploit the highest ranges of the Violin.The thought of the gruffest tone of the cello in the openings of the Spring or the Kruetzer doesn’t quicken my pulse. Otoh, there might be a possibility of going the reverse direction; op.69 on the Violin might be pretty exciting.
Comment
-
Comment