Originally posted by Bryn
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Fazioli piano shocker...
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Originally posted by Heldenleben View PostIn the film of The Children’s act Emma Thompson ‘plays’ a Fazioli boudoir grand in her flat - a somewhat implausible £120,000 birthday gift from her subsequently adulterous husband . She then goes on to give a performance at one of the Inns of Court on another Fazioli. Is this an example of the world’s most optimistic product placement or did Fazioli sales shoot up afterwards?"I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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Originally posted by LHC View PostI suspect that, after Alan Rusbridger bought himself a Fazioli when he left the Guardian and published all those articles about learning to play the piano, it became the instrument of choice for London’s luvvies.
Finally has any one heard the Rusbridger Chopin G minor Ballade ? That is such a hard piece : octaves, sixths , fast odd minor runs , filigree passage work that doesn’t lie under the fingers , awkward left hand - you name it and that’s without actually interpreting it!
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Originally posted by LHC View PostI suspect that, after Alan Rusbridger bought himself a Fazioli when he left the Guardian and published all those articles about learning to play the piano, it became the instrument of choice for London’s luvvies.
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Oakapple
The left pedal on my upright piano works in the same way as that fourth pedal on a Fazioli. So if it's good enough for the best pianists it's good enough for me. I've never gone along with certain piano teachers who say you should never use it but learn how to play softly without it instead. I once saw Alfred Brendel play close up and he was very creative in his use of the pedals.
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Originally posted by Oakapple View PostThe left pedal on my upright piano works in the same way as that fourth pedal on a Fazioli. So if it's good enough for the best pianists it's good enough for me. I've never gone along with certain piano teachers who say you should never use it but learn how to play softly without it instead. I once saw Alfred Brendel play close up and he was very creative in his use of the pedals.
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Oakapple
Originally posted by Bryn View PostI misread your post at first reading, so deleted my initial response. Yes, the left pedal on an upright does essentially the same job as the fourth pedal on some Faziolis. However, on an upright, it is effectively a poor substitute for the una corda pedal on a grand, surely?
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Originally posted by LHC View PostI suspect that, after Alan Rusbridger bought himself a Fazioli when he left the Guardian and published all those articles about learning to play the piano, it became the instrument of choice for London’s luvvies.
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Originally posted by Oakapple View PostOf course. The first two sentences of my post were meant to be facetious. But I was amused at how such a renowned maker was copying the action of a standard upright and so maybe my humble left pedal has some virtue after all. At least if anyone asks me what sort of piano I've got, I can honestly reply that it's like a Fazioli in some ways.
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Originally posted by ahinton View PostBe that as it may, I believe that this was long after Angela Hewitt acquired hers...
Several years ago a well-known firm which specializes in the manufacture and repair of French horns had an instrument on display which had belonged to a well-known player with whom I worked many times. He was running for a bus carrying the horn in its case and jumped on just as the driver was closing the doors; the doors closed on his arm and he had to let go of the instrument in order to get his arm inside without being crushed. The bus behind ran over the horn which was irreparable.
The same firm repaired Dennis Brain's horn after his fatal car crash and it is now in the Royal Academy of Music Museum.
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Originally posted by Once Was 4 View PostOf course much smaller instruments can suffer too: I understand that an airline recently destroyed a valuable 'cello (can anybody confirm this?)
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