Nor does Idil Biret, who, born in 1941, wasn't in her 30s/40s in the '50s & '60s:
To identify a female pianist performing in London 1950-1960
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A recording of Bachauer playing the Brahms 2nd set of Paganini Vars at a Live concert in Bergen in 1960 can be heard here, starting at 44mins 10":
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Many thanks indeed for all your suggestions. If I saw the name I'd recognise it and the one that keeps coming to mind is Harriet Cohen but it's clearly not her. She is not listed in Wiki British female pianists.
Frail memory is that the concert was on a Sunday afternoon at a small hall (definitely not Wigmore) perhaps somewhere near the Aldwych(???).
Gina Bachaeur reminds me of the 78 I used to have of her playing Liszt's Funerailles; and the mention of his Malédiction of how, as a cheeky youth I managed to get a set of gold / yellow Special Order / List 78s out of Decca.
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This reminds me of the story about a friend who bought the classic recording of Mozart's 21st piano concerto with Geza Anda that featured a still on the sleeve from the 'Elvira Madigan' movie that it featured in. He saw Anda was playing in the Wigmore Hall and bought a front row seat. He had to use all his restraint not to jump up when, instead of a tall glamorous blonde lady, a portly bespectacled gentlemen took the piano stool!
In fact, on the same topic, Geza Anda was NOT happy that his recording was being used as background music to a FILM. He made his displeasure known to Deutsche Grammophon who had licensed the recording to the film company. He instructed his manager that he was seriously considering dropping DG as his record company. However, the soundtrack sold in droves around the world and reached the pop charts. Then the first royalty cheques came in...
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Originally posted by pastoralguy View PostThis reminds me of the story about a friend who bought the classic recording of Mozart's 21st piano concerto with Geza Anda that featured a still on the sleeve from the 'Elvira Madigan' movie that it featured in. He saw Anda was playing in the Wigmore Hall and bought a front row seat. He had to use all his restraint not to jump up when, instead of a tall glamorous blonde lady, a portly bespectacled gentlemen took the piano stool!
In fact, on the same topic, Geza Anda was NOT happy that his recording was being used as background music to a FILM. He made his displeasure known to Deutsche Grammophon who had licensed the recording to the film company. He instructed his manager that he was seriously considering dropping DG as his record company. However, the soundtrack sold in droves around the world and reached the pop charts. Then the first royalty cheques came in..."I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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Originally posted by Segilla View PostConway Hall sounds familiar.
No one doubts music can communicate, but how and what is often a mystery. Some seek refuge in imagining music in pictures and treat its notes like words or visual images. But this will not do for abstract musical designs. For these we need a more sophisticated understanding of how…
There is also a link to the Library/Archive catalogue but this didn't seem to work for me.
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