Holst's Planets Suite - and More

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  • ahinton
    Full Member
    • Nov 2010
    • 16122

    #16
    Originally posted by Serial_Apologist View Post
    Ah, that would be "The Asteroids Suite".
    I believe that there's a cure for Asteroids (not that I've ever had cause to try it, mind)...

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    • ahinton
      Full Member
      • Nov 2010
      • 16122

      #17
      Originally posted by Richard Barrett View Post
      Does Matthews' appendix stand comparison with what Holst wrote? I don't think so.
      Nor, I imagine, does he.

      Originally posted by Richard Barrett View Post
      "Neptune" is a deeply considered and beautiful ending. Adding extra movements to a popular piece smacks to me of an attempt parasitically to gain more attention for one's own work. Otherwise why not just write an independent piece?
      "Neptune" is indeed as you describe it - and its fade-out ending almost calls out for nothing after it - but I still don;t believe that Colin Matthews agreed to accpot and work on that commission in order to make "an attempt parasitically to gain more attention for [his] own work". I don't know what his view of what he did is as an "independent piece" or how often if at all it's been performed as such...

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      • visualnickmos
        Full Member
        • Nov 2010
        • 3610

        #18
        Originally posted by Eine Alpensinfonie View Post
        And of course, as Pluto is no longer a planet, the problem is solved.

        Just play the Matthews work as a separate item. Radio 3 should like that.
        There is now much renewed debate about that.

        Also - I cannot stand works being 'tinkered with'

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        • Bryn
          Banned
          • Mar 2007
          • 24688

          #19
          Originally posted by visualnickmos View Post
          . . . Also - I cannot stand works being 'tinkered with'
          What, like playing Mozart keyboard sontas on a Steinway?

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          • ahinton
            Full Member
            • Nov 2010
            • 16122

            #20
            Originally posted by Bryn View Post
            What, like playing Mozart keyboard sontas on a Steinway?
            As Mozart was Austrian, a Bösendorfer 290 would surely be far more appropriate!
            Last edited by ahinton; 09-11-19, 08:29.

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            • visualnickmos
              Full Member
              • Nov 2010
              • 3610

              #21
              Originally posted by Bryn View Post
              What, like playing Mozart keyboard sontas on a Steinway?
              The notes are the same.

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              • Bryn
                Banned
                • Mar 2007
                • 24688

                #22
                Originally posted by visualnickmos View Post
                The notes are the same.
                Not in timbre, touch etc. when played.

                Then there's:

                Last edited by Bryn; 09-11-19, 00:11.

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                • Serial_Apologist
                  Full Member
                  • Dec 2010
                  • 37678

                  #23
                  Originally posted by Bryn View Post
                  What, like playing Mozart keyboard sontas on a Steinway?
                  Or "The Planets" on two?

                  (Actually the two-piano version - or what I've heard from it - sounds amazingly good).

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                  • Serial_Apologist
                    Full Member
                    • Dec 2010
                    • 37678

                    #24
                    Originally posted by visualnickmos View Post
                    The notes are the same.
                    That reminds me of a Ronnie Scott quip: "We've been asked to play 'The Yellow Rose of Texas'. We won't be playing that, but the tune we will be playing has a lot of the same notes in it".

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                    • Bryn
                      Banned
                      • Mar 2007
                      • 24688

                      #25
                      Originally posted by Serial_Apologist View Post
                      Or "The Planets" on two?

                      (Actually the two-piano version - or what I've heard from it - sounds amazingly good).
                      I am rather fond of Dave Smith's solo piano version, safly not available on CD, though I do have a recordings somewhere of a perfromance given at Schott Music a few years ago.

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                      • Richard Barrett
                        Guest
                        • Jan 2016
                        • 6259

                        #26
                        Originally posted by visualnickmos View Post
                        The notes are the same.
                        The pitches are certainly the same, and the rhythms probably pretty similar, but everything else is quite different - I guess whether or not that's important depends on whether one is actually interested in what music sounds like!

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                        • BBMmk2
                          Late Member
                          • Nov 2010
                          • 20908

                          #27
                          The Planets is fine as it is. It doesn’t need anything else.
                          Don’t cry for me
                          I go where music was born

                          J S Bach 1685-1750

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                          • ahinton
                            Full Member
                            • Nov 2010
                            • 16122

                            #28
                            Originally posted by BBMmk2 View Post
                            The Planets is fine as it is. It doesn’t need anything else.
                            The biggest problem with appending anything to it is the inevitable rude interruption to the beautiful fade-out of Neptune. Colin Matthews' piece works well on its own terms, I think but I've not encountered it performed as a standalone work (although it might have been for all that I know).

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                            • Serial_Apologist
                              Full Member
                              • Dec 2010
                              • 37678

                              #29
                              Originally posted by ahinton View Post
                              The biggest problem with appending anything to it is the inevitable rude interruption to the beautiful fade-out of Neptune. Colin Matthews' piece works well on its own terms, I think but I've not encountered it performed as a standalone work (although it might have been for all that I know).
                              I always feel the same about the fifth movement Berio later added to the four of his 1968 Sinfonia, and for similar reasons. Actually, come to think of it, the harmonies Berio deploys in that original fourth movement finale have a strangely (in both senses) Holstian quality to them.

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                              • NatBalance
                                Full Member
                                • Oct 2015
                                • 257

                                #30
                                Originally posted by ahinton View Post
                                The biggest problem with appending anything to it is the inevitable rude interruption to the beautiful fade-out of Neptune. Colin Matthews' piece works well on its own terms, I think but I've not encountered it performed as a standalone work (although it might have been for all that I know).
                                Have a read of my starter post on this. Pluto does not have to go at the end, and I've discovered I was right that it's orbit does sometimes cross Neptune's.

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