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No, it really is that significant, unless the "taste" of music is all you're interested in, but you must be aware that music is far more than just an agreeable sensation like eating chocolate. My father, who was not very interested in music but as they say "liked the sound it made", once described his impression of Beethoven's symphonies to me in terms of big tunes with less interesting bits in between. If that's all you want from music then Addinsell is indeed just as good as Rachmaninov, but you don't have to be much of a connoisseur to appreciate not only Rachmaninov's "big tunes" but also the way he develops and contextualises them over a more extended timescale.
Colin Matthews wasn't attempting to copy Holst's style. He spoke of "the challenge of trying to write a new movement for The Planets without attempting to impersonate Holst". That seems quite clear.
Matthews' needn't have bothered as Pluto isn't classed as a full size planet anymore owing to its downgrading by the International Astronomical Union.
Faber Music is one of the leading independent British publishers committed to identify and support outstanding composing ability wherever it is to be found.
So in your view should CM have turned down the commission? Be that as it may or may not, should Kent Nagano and Hallé Orchestra also "not have bothered"? Has CM ever claimed or sought to pretend to be another Holst? The above do at least provide some insights into his own views and this project. As for The Planets as written by Holst being 'complete and "entire of itself"', that might well be, but then is Bruckner's final symphony in its truncated three-movement form "'complete and "entire of itself"'?
Faber Music is one of the leading independent British publishers committed to identify and support outstanding composing ability wherever it is to be found.
So in your view should CM have turned down the commission? Be that as it may or may not, should Kent Nagano and Hallé Orchestra also "not have bothered"? Has CM ever claimed to be another Holst? The above do at least provide some insights into his own views and this project.
I can see you are lining up to kick me. Surely I'm entitled to a tongue in cheek viewpoint. In truth I couldn't really care less if it is classed as a planet or not.
It's just the other day at a talk I attended on astronomy I was told Pluto is not a classed as a full size planet anymore.
What does it mean to say "Colin Matthews is no Holst"? Or The Planets "entire of itself"? Is the ever-changing, multidimensional Universe "entire of itself"?
Artworks change through time as we experience & perceive them.
Matthews is a significant orchestral & chamber composer who has written several wonderful, striking and memorable works... (too little played, but many available, should you wish to take the trouble to actually listen, on NMC).
I've been taping or latterly buying the recordings/concerts since at least the 1990s.....
As for the Pluto movement itself.... don't ask why, ask why not?
Holst was a very adventurous & imaginative composer with wide-ranging interests....
I think he would have liked the idea of updating his own take on The Planets....
He might have enjoyed the idea of another composer writing something on "Voyager" or "Voyager 2"..........
I think we could do with the discovery of alien life-forms; that would put us in our place, wouldn't it?
Some of them might be lurking closer to us than we might think (no names mentioned, naturellement)...
Agree with your remarks about Colin Matthews. Whether Holst might "have liked the idea of updating his own take on The Planets...." is open to question; it is just that, upon the discovery of Pluto, he showed no obvious interest in doing so himself.
Mindful of what lay behind my reference to Bruckner 9 above, perhaps there are some who might say that Tony Payne should "not have bothered" to put together Elgar's Third Symphony; I wonder if I can think of any...
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