Originally posted by LeMartinPecheur
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World or "ethnic" music
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Originally posted by doversoul1 View PostThere is a similar bamboo flute* in Japan which is thought to have come from China and became a musical instrument for popular rather than high culture. Traditionally, as far as I am aware, learning music was closer to oral culture than to literacy in that learning was by listening, copying, and memorising. Notations in traditional music, at least in Japan, is a modern concept that has been developed to meet the wider interest in the instrument.
* shinobue: the English wiki article does not tell you anything very interesting.
You could try this: https://ja.wikipedia.org/wiki/篠笛
(The international Shakuhachi society summer school is on at the moment in Lisbon so I don't have access to my expert friend who's Phd thesis included things about this whole area )
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Originally posted by doversoul1 View PostThere is a similar bamboo flute* in Japan which is thought to have come from China and became a musical instrument for popular rather than high culture. Traditionally, as far as I am aware, learning music was closer to oral culture than to literacy in that learning was by listening, copying, and memorising. Notations in traditional music, at least in Japan, is a modern concept that has been developed to meet the wider interest in the instrument.
* shinobue: the English wiki article does not tell you anything very interesting.
You could try this: https://ja.wikipedia.org/wiki/篠笛
This is slightly easier - https://www.mamalisa.com/blog/chines...thout-a-staff/
and the music transcribed into more conventional notation is in this page https://www.mamalisa.com/?t=es&p=1206&c=11
The books I've mentioned previously about the dongxiao and dizi have even more elaborate notation for the particular instruments. As far as I can see, the basic notes are shown by numbers, and the Chinese representation borrows some features of western notation, such as markers for bars and double bars, and even time signatures and indications of tempo - metronomic. Phrasing and ornamentation may be even more heavily coded than using a conventional stave - though I think that's not for every piece. It would depend who the written form is intended for. If the tunes are written down to be used by "ordinary" people, then things would be kept simple, but for expert performers who may use advanced techniques on their instruments, the notation might (effectively) be much more complex.
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Originally posted by MrGongGong View PostThe whole "need" for notation in musics is a very interesting area of study IMV. Notation of compositions (as opposed to mnemonics to aid memory when taught) is largely a result of a separation of the acts of music-making (playing/singing) from music creation (composition/devising).
(The international Shakuhachi society summer school is on at the moment in Lisbon so I don't have access to my expert friend who's Phd thesis included things about this whole area )
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Originally posted by doversoul1 View PostIf you know anyone in the society, you will do them a great service by advising them to remove the two cartoon figures on their home page.
Actually it's the European Shakuhachi Society that are in Lisbon at the moment
my mistake
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Originally posted by MrGongGong View Post
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Originally posted by doversoul1 View PostThe figures are as accurate as a Nagasaki prostitute in Madam Butterfly. Seriously, even if the instrument is seen as part of modern ‘musiking’, surely you need to have respect for the ‘real thing’ as well? How performers sit and how the traditional performers looked need to be shown correctly unless these matters are to be left out all together. The figures on the web page are completely devoid of dignity. Whoever drew the figures obviously didn’t bother to go to prime source.Last edited by Bryn; 27-07-19, 10:38.
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Originally posted by doversoul1 View PostThe figures are as accurate as a Nagasaki prostitute in Madam Butterfly. Seriously, even if the instrument is seen as part of modern ‘musiking’, surely you need to have respect for the ‘real thing’ as well? How performers sit and how the traditional performers looked need to be shown correctly unless these matters are to be left out all together. The figures on the web page are completely devoid of dignity. Whoever drew the figures obviously didn’t bother to go to prime source.
I have no idea where they were sourced from etc
But do know several people with baskets to wear on the head
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Originally posted by MrGongGong View PostThanks
I have no idea where they were sourced from etc
But do know several people with baskets to wear on the headLast edited by doversoul1; 27-07-19, 18:30.
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