I have a small library of Berlioz overtures and thought it might be worth comparing versions. Maybe someone else will be able to tell me that even finer recordings exist than the ones I have - I'd be interested.
Roman Carnival
I guess that, for many, LSO/Davis and Boston SO/Munch are the benchmarks here. I'll put my cards on the table and confess that neither of Davis's overture recordings has gripped me and I don't possess either. Sometime I think that he found it difficult to produce the kind of fiery results in the studio that he could in the concert hall.
Munch with the BSO is very fast - faster than the metronome and very exciting. However, the 1957 sound (I presume this was a Living Stereo issue) now sounds rather dated. Beecham's 1954 version with the RPO (his last) seems leisurely at first, but works towards a coda in which we can hear how Beecham used to bring audiences to their feet with this piece, which he performed 100 times or so.
Previn's 1976 collection (LSO) has perhaps been undervalued. He didn't include Waverley, Rob Roy or King Lear (no great loss as far as I'm concerned) and a reasonably well filled LP became a short measure CD. However, his Roman Carnival is quite as fast, exciting and precise as BSO/Munch and of course he gets a much more modern recording.
Andrew Davis with the Bergen Philharmonic might not seem an obvious choice but it's a well played and well recorded account in up to date sound.
My choices from these four recordings are Previn (modern) and Beecham (historical). I'd be very interested to hear of any period instrument versions.
Roman Carnival
I guess that, for many, LSO/Davis and Boston SO/Munch are the benchmarks here. I'll put my cards on the table and confess that neither of Davis's overture recordings has gripped me and I don't possess either. Sometime I think that he found it difficult to produce the kind of fiery results in the studio that he could in the concert hall.
Munch with the BSO is very fast - faster than the metronome and very exciting. However, the 1957 sound (I presume this was a Living Stereo issue) now sounds rather dated. Beecham's 1954 version with the RPO (his last) seems leisurely at first, but works towards a coda in which we can hear how Beecham used to bring audiences to their feet with this piece, which he performed 100 times or so.
Previn's 1976 collection (LSO) has perhaps been undervalued. He didn't include Waverley, Rob Roy or King Lear (no great loss as far as I'm concerned) and a reasonably well filled LP became a short measure CD. However, his Roman Carnival is quite as fast, exciting and precise as BSO/Munch and of course he gets a much more modern recording.
Andrew Davis with the Bergen Philharmonic might not seem an obvious choice but it's a well played and well recorded account in up to date sound.
My choices from these four recordings are Previn (modern) and Beecham (historical). I'd be very interested to hear of any period instrument versions.
Comment