Originally posted by rauschwerk
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Berlioz overtures - recordings compared
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Last edited by jayne lee wilson; 24-02-19, 16:30.
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Originally posted by jayne lee wilson View PostDownload or stream, sir...?
Listen to unlimited or download London Philharmonic Orchestra, The 1956 Nixa-Westminster stereo recordings, Vol. 2 by London Philharmonic Orchestra in Hi-Res quality on Qobuz. Subscription from £10.83/month.
Or order direct.... (and view the notes for free...)
https://firsthandrecords.com/product...s-3-cds-vol-2/
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Originally posted by cloughie View PostThanks for links Jayne - no joy with ordering CDs - they are out of stock. Qobus seems a complicated organisation - do I have subscribe - not really interested in streaming or can I just buy downloads ?
Or you could just hit add to basket on your choice and follow instructions from there...
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Originally posted by rauschwerk View PostLe Corsaire
I really only want to listen to performances which violate the composer's intentions in one crucial place. A few bars before the recapitulation, the music sounds as though it's winding down. The entry of cellos and bassoons, mf then crescendo, energises the music. Beecham, however, plays this forte, with a big accent on the first note (one reviewer likened this to 'dogs attacking a rat'). Ever since I heard this, it's the way I want the music to go, and however many times I hear it, I'm on tenterhooks waiting for it.
Berlioz's metronome mark for the Allegro looks very scary to me, and I wonder if any orchestra could play it that fast with tidy rushing quavers and syncopations. The fastest performances take around eight minutes, and I'm not really interested in anything much slower. Like Beecham, Munch is very fast and he speeds up in the coda once the quavers are out of the way. Beecham's control of pace is more subtle and one is hardly aware of it - just the excitement.
Andrew Davis seems to have taken several leaves out of Beecham's book, not least his overall timing and the cellos + bassoons entry. His orchestra are well up to the task and the recording is excellent. Previn takes half a minute longer than the others, and for me the effect is a bit too laid back. So I choose Andrew Davis (modern) and Beecham (historical).
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Originally posted by jayne lee wilson View PostYou do have to register to buy downloads but you don't need a streaming subscription.... assuming you already have a media player for the downloaded files, the full guide is here.... (it's not as complex as it looks, honest...!)
Or you could just hit add to basket on your choice and follow instructions from there...
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Originally posted by jayne lee wilson View PostDownload or stream, sir...?
Listen to unlimited or download London Philharmonic Orchestra, The 1956 Nixa-Westminster stereo recordings, Vol. 2 by London Philharmonic Orchestra in Hi-Res quality on Qobuz. Subscription from £10.83/month.
Or order direct.... (and view the notes for free...)
https://firsthandrecords.com/product...s-3-cds-vol-2/
If, like me, you were more interested in the Berlioz than the Schumann, these dutton discs of Boult with the BBCSO might prove a happy succedaneum :
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Les Francs-Juges
I really don't know what possessed Beecham (1954) in this piece! He plays not only the slow intro under tempo (most conductors seem to), but also the allegro - crotchet about 110 against the marked 160. Of course, the marking in the Eulenburg score might not be authentic, but even so! He takes a full two minutes longer than Previn, who is excellent here.
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I see the new Warner "first-ever complete Berlioz edition" has three Boult/LPO Overtures on CD1. On Spotify
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Originally posted by gurnemanz View PostI see the new Warner "first-ever complete Berlioz edition" has three Boult/LPO Overtures on CD1. On Spotify
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The free sampler has Benvenuto Cellini (ONF/Nelson).
Otherwise, all I knowingly have, apart from items on some BBC MM CDs, is
Roman Carnival (RCO/Jansons), which is part of the coupling to Bernstein's FNO Symphonie Fantastique (HMV)
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Le Corsaire (Orchestre de la Société des Concerts du Conservatoire/Munch (Great Conductors series).
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Originally posted by Pulcinella View PostThe free sampler has Benvenuto Cellini (ONF/Nelson).
Otherwise, all I knowingly have, apart from items on some BBC MM CDs, is
Roman Carnival (RCO/Jansons), which is part of the coupling to Bernstein's FNO Symphonie Fantastique (HMV) . . .
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