Originally posted by Zucchini
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Piano transcriptions
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Originally posted by cloughie View PostI seem to remember a Decca issue of the Rite by Eden and Tamir.
I heard the two-piano Rite played in a concert by Pascal and Ami Rogé; some octave transpositions needed in order to prevent hand tangling, but the harmonic sense comes into sharp relief in this "black & white" (but by no means "monochrome") transcription.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Zucchini View PostThe Barenboim/Argerich live performance is on a single piano[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Are they transcriptions or reductions (perhaps originally for rehearsal purposes)?
Or is that a semantic difference we need not concern ourselves with?
Eric Walter White calls it a reduction for piano duet (published in 1913; the full score was published in 1921, he says) by the composer.
There is a similar reduction of Petrushka; in my youth my skills were such that I played secondo in a college music society performance of it!
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Serendipitously the first half of the UK premiere of Brad Mehldau's piano concerto at the Barbican
One of the great improvisers of contemporary jazz piano, Brad Mehldau premieres a new piano concerto, commissioned by the Barbican, alongside Britten Sinfonia.
features arrangements of Bach by Stravinsky, Charles Coleman, Webern and Berio, none of which I know. Looking forward to this concert.
Last year's recording After Bach is formed from selected Preludes and Fugues, followed by Mehldau's reflections upon them.
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