Originally posted by Heldenleben
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Piano transcriptions
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Originally posted by silvestrione View PostI've always rather liked this work, though it's hard to make sense of it sometimes. I didn't know there was an Arrau version: do you have details?
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Originally posted by silvestrione View PostTalking to myself again I know, but I don't think there is an Arrau version, can find no evidence he ever played it (would like to be proved wrong of course) so I'm wondering, if Heldenleben's pen slipped, as it were, who is playing on the superlative version he's thinking of?Claudio Arrau's U.S. début at the Carnegie Hall, New York, on 20th October, with a program comprising:
> Beethoven's Sonata No.18 Op 31 No. 3 The Hunt
> Chopin's Nocturne Op 48 No. 1
> Chopin Waltz Op.34 No.3
> Chopin's Scherzo No.3
> Debussy's Reflets dans l'eau
> Debussy's Feux d'artifice
> Debussy's Minstrels
> Liszt's Don Juan fantasy, with
> a Liszt's Rhapsody as encore.
[Appreciative review in The New York Times of 21st October]
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Originally posted by Bryn View PostI have not found any information regarding his having recorded the work, however.My life, each morning when I dress, is four and twenty hours less. (J Richardson)
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Originally posted by Heldenleben View PostPs I wish all the Liszt transcriptions got more outings in recital . It would be a welcome change from the Chopin warhorses..
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Originally posted by ahinton View PostWhilst I agree with the first bit of that, to what "Chopin warhorses" do you refer here? He wrote few transcriptions anyway...
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Originally posted by Heldenleben View PostThe B flat minor Piano Sonata , the A major and A flat polonaises , the E flat nocturne , the E major étude - the B minor scherzo. Don't get me wrong I love them all but lets have a bit of pianistic variety.
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Something was bugging me re Don Juan. So I've just spent 10 mins flicking through CD's. The 'superlative ' version I was thinking of was neither the non-existent Arrau nor the excellent Bolet . It's a piano roll version on Nimbus by Ignatz Friedman . The playing is so stupendous I can't believe it hasn't been doctored or played hands seperately in the piano roll equivalent of multi tracking but I don't think Friedman would have done that and by all accounts his playing was stupendous ...
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Originally posted by ahinton View PostOK, so not transcriptiopn, then; good to clear that one up. Yes, like most composers, Chopin has some of his works performed far more often than others; that's the way it goes. Same applies to liszt, although his transcriptions, operatic paraphrases and the rest don't do so badly in recital programmes, as far as I am aware.
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Time must be hanging heavily on my hands but looking at the forthcoming London pianoforte series of 30 recitals I can't see any Liszt transcriptions programmed . Annees De Pelerinage from two pianists , ditto Mephisto Waltz . The transcriptions have gone out of fashion. Though no doubt Rigoletto will turn up as an encore...
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Originally posted by Zucchini View PostRite of Spring is very effective (Barenboim/top & Argerich/bottom is a great romp)
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