Originally posted by MrGongGong
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Philip Glass
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Originally posted by MrGongGong View PostI went to hear the Glass ensemble in 1984 at the old Sadlers Wells
It was LOUD, relentless and overwhelming and played with extraordinary energy (this was before I heard Workers Union etc)
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Originally posted by Bryn View PostYou too, eh? I remember being collared by one, Michael Nyman after the performance. He wanted to know what I thought of his (Michael's) music. I told him I thought of it an amalgam of Glass and the English amateur tradition. This was intended as a compliment, not an insult. He took it as the latter. He advised me that his music was far more musical than Glass's.
Is it just me, or has Nyman tended to have his head down a bit in recent years?
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Originally posted by Conchis View PostIs it just me, or has Nyman tended to have his head down a bit in recent years?Last edited by Bryn; 04-02-19, 21:07.
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Originally posted by Bryn View PostYou too, eh? I remember being collared by one, Michael Nyman after the performance. He wanted to know what I thought of his (Michael's) music. I told him I thought of it an amalgam of Glass and the English amateur tradition. This was intended as a compliment, not an insult. He took it as the latter. He advised me that his music was far more musical than Glass's.
I notice that there's a fair bit of interest in groups like Man Jumping & The Lost Jockey as well as Jeremy Peyton Jones's Regular Music.
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Originally posted by MrGongGong View PostI think the whole "English minimalism" thing is due a revival
I notice that there's a fair bit of interest in groups like Man Jumping & The Lost Jockey as well as Jeremy Peyton Jones's Regular Music.
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Originally posted by Boilk View PostThe Lost Jockey and Man Jumping were always of more interest to me than Nyman, Glass or much Reich. Some of the later solo stuff by their alumni (e.g. Orlando Gough and Andrew Poppy) is now a long way from those halcyon days. Recently Mr. Gough has uploaded much of his older material onto a Soundcloud page.
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Anyone going to try ENO's Akhnaten? I saw a much earlier ENO production - but I thought I might try this revival of the 2016 production. Perhaps I'm a masochist. I find some of Glass's music beautiful, but some of it very drawn out, and perhaps pointless. I wasn't too keen on Satyagraha and have yet to see/hear a production of Einstein on the Beach.
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Originally posted by Dave2002 View PostAnyone going to try ENO's Akhnaten? I saw a much earlier ENO production - but I thought I might try this revival of the 2016 production. Perhaps I'm a masochist. I find some of Glass's music beautiful, but some of it very drawn out, and perhaps pointless. I wasn't too keen on Satyagraha and have yet to see/hear a production of Einstein on the Beach.
It takes a while to get under way.
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Originally posted by Dave2002 View PostAnyone going to try ENO's Akhnaten? I saw a much earlier ENO production - but I thought I might try this revival of the 2016 production. Perhaps I'm a masochist. I find some of Glass's music beautiful, but some of it very drawn out, and perhaps pointless. I wasn't too keen on Satyagraha and have yet to see/hear a production of Einstein on the Beach.
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Originally posted by Dave2002 View PostAnyone going to try ENO's Akhnaten? I saw a much earlier ENO production - but I thought I might try this revival of the 2016 production. Perhaps I'm a masochist. I find some of Glass's music beautiful, but some of it very drawn out, and perhaps pointless..
Sounds good to me
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