My favourite role for the oboe is in chamber works with strings and/or other wind, e.g. the Mozart Wind Serenades or the Schubert Octet. A work I've recently enjoyed discovering is Prokofiev's Quintet in G minor (sometimes called an Oboe Quintet, though I can't see any particular prominence for the oboe) - very idiosyncratic, with an interesting combination of instruments: oboe, clarinet, violin, viola and double-bass. There are quite a few recordings of it, though I've enjoyed the performance by the Ensemble Walter Boeykens.
Your Favourite Oboe Work
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Originally posted by Eine Alpensinfonie View PostI depends upon how you define an oboe work. As an oboist, my favourites included obligato movements, such as those in Bach's St Matthew Passion and Christmas Oratorio. One I've played many times in concert in recent years is "The Lord is my Shepherd" from Rutter's Requiem.
(But if you were thinking this might be a commercial to tempt you to ask me to play - don't ask. I sold my fabulous Rigoutat Expression oboe a couple of years ago, as it wasn't getting many outings. My spare one just ain't the same. Do I regret selling it? Sometimes, yes. But I'm concentrating on piano accompaniment now. Plenty to do! )
Well, there's Toxteth O'Grady's composition 'Oboe, Egg, Sausage & Oboe' Op. 8 - that's not got a lot of oboe in it ...
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Massive box from Brilliant Classics (Volume 1!). Looks interesting but maybe only for fanatics.Last edited by gurnemanz; 14-09-18, 09:55.
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Originally posted by gurnemanz View PostMassive box from Brilliant Classics (Volume 1!). Looks interesting but maybe only for fanatics.
Some of those might be on the Brilliant set, which I'm guessing should be available cheaply.
Actually not ultra cheap - but nevertheless affordable for enthusiasts - http://www.bookbutler.co.uk/music/co...=5028421954103 Between £25-£35 at present I think.
i think it may have been much cheaper once.
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The modern oboe sound seems (at least to me) much more warm and open than in recordings from the '50s for example. I'm not just thinking of the famously rustic VPO oboe, but in general they had a more pinched, nasal quality than the mellower sound we hear now. Has there been a technical change in the last few decades? Is it old recording techniques giving a misleading impression (as they can do with the voice)? Or are there simply better players now?
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How could I have forgotten the wonderful CPE Bach oboe concertos? I have the version by Ku Ebbinge/Koopman, but this newish recording of Wq164 is really lovely:
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Originally posted by Joseph K View PostThe first thing that sprang to my mind was this:
https://www.youtube.com/watch?v=OoNkUfxgMj8
Diotima Quartet / Christopher Redgate (oboe)'Schatten aus Wasser und Stein' (2013) was composed in response to a request from Christopher Redgate for a chamb...
(depends how you define an "oboe", of course! )[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Darkbloom View PostThe modern oboe sound seems (at least to me) much more warm and open than in recordings from the '50s for example. I'm not just thinking of the famously rustic VPO oboe, but in general they had a more pinched, nasal quality than the mellower sound we hear now. Has there been a technical change in the last few decades? Is it old recording techniques giving a misleading impression (as they can do with the voice)? Or are there simply better players now?
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Originally posted by ferneyhoughgeliebte View Post
Regarding CPE Bach, I realise I don't know his oboe concertos (except perhaps in their versions for keyboard) which means I'll have to listen to them RIGHT NOW. I don't see either Gardellino or Koopman in Qobuz, but there's one on Brilliant Classics with Anna Starr and Musica Poetica, new names to me I think, so let's see how that goes.
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Originally posted by Richard Barrett View PostGosh, I hadn't even heard of that one.
There's the early work Coloratura with piano as well of course, and Allgebrah with string ensemble.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostChristopher Redgate and his new quarter-tone Oboe
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My own favourite 20th Century choices, I think so far unmentioned:
David Matthews Oboe Concerto Op.57
(on Dutton, c/w the 2 lovely Violin Concertos, a peach of a disc)
Morton Feldman Oboe & Orchestra
Berio Chemins IV/(from Sequenza VII)
Holmboe Chamber Concertos 7 & 13 (double with viola)
Lutoslawski Oboe/Harp Double Concerto
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It’s a rich literature…there’s Max Davies of course, and Maderna wrote three, which I’d probably like but can’t recall ever hearing …
…as for CPE Bach, the summery E-flat major WQ 165 is even more gloriously, hauntingly memorable than the WQ 164 mentioned earlier…
Try the opening with Barokkanerne.... once heard...
https://www.amazon.co.uk/Bernardini-...s=barokkanerneLast edited by jayne lee wilson; 14-09-18, 20:32.
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