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I can't imagine why anyone should be feel guilty when listening to music of their personal choice. Life's too short to worry about matters such as this!
... quite agree - you have no reason at all to feel guilty enjoying the compositions of Stanford...
André Rieu & His Johann Strauss Orchestra performing The Last Rose live in The Netherlands. Taken from the DVD 'The Flying Dutchman'.For concert dates and ti...
André Rieu & His Johann Strauss Orchestra performing The Last Rose live in The Netherlands. Taken from the DVD 'The Flying Dutchman'.For concert dates and ti...
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Just to be clear, it's Andre Rieu that's bad for you, not The Groves of Blarney, or Thomas Moore's immortal song (your starter for 10 - which fictional detective whistles it? ) - here it is as set by Flotow in "Marta", sung by the divine Anneleise Rothenburger - and of course recently heard on the soundtrack of 3 Billboards by Renée Fleming.... Some things are sacred.
I really can't think of any (seeing as Abba's OK). I do have a guilty reading pleasure, which I believe I share with the late AA Gill - occasionally re-reading John Buchan. A challenge, perhaps for the likes of Sir A L-W - Prester John - The Musical?
I do have a guilty reading pleasure, which I believe I share with the late AA Gill - occasionally re-reading John Buchan. A challenge, perhaps for the likes of Sir A L-W - Prester John - The Musical?
... I hope you are reading them in the 1950s Penguins (bookjackets by my pa... )
Nor can I - and there was, because I remember making a similar reply to Cloiughie's here: I'm shameless, me - gleefully admitting my love of G&S, Carmina Biriani, Bolero, Die Kunst der Fuge, William Tell Ovt and other potboiling warhorses, whilst declaring my utter contempt for R-K's Scheherazade, Ravel's orcastration of Mussorgsky's Pictures etc etc with equal delight whenever the occasion arises (like this one )
No guilt - just a lot of convictions!
Was it this?
Not quite the same: Five pieces you would be happy to never hear again
I guess this idea of "guilty pleasures" evokes an older Radio-Three world, where we were supposed (after a guilty little smile of knowingness) to turn our noses up, or stop our ears, to Pop Classics, like.... usual suspects of Bizet, Bruch, Vivaldi, Gounod, Offenbach.... or anything in the Classic fM Top Twenty (Gorecki!) ....a station we would all (or were supposed to) pour scorn upon....
My own version would be film music - I can still tear up over the themes from Jurassic Park, Star Wars, ET, Gladiator, Shawshank... If you enjoy a good guilt trip, I dunno, apply it to alcohol or something...IS there any pleasure left to be guilty about...?
Don't know the composer Wellington - and in case dyslexia's getting in the way of my understanding here, I couldn't find a work entitled Wellingtons in Victory's catalogue either (https://en.wikipedia.org/wiki/Gerard_Victory )
I guess this idea of "guilty pleasures" evokes an older Radio-Three world, where we were supposed (after a guilty little smile of knowingness) to turn our noses up, or stop our ears, to Pop Classics, like.... usual suspects of Bizet, Bruch, Vivaldi, Gounod, Offenbach.... or anything in the Classic fM Top Twenty (Gorecki!) ....a station we would all (or were supposed to) pour scorn upon....
My own version would be film music - I can still tear up over the themes from Jurassic Park, Star Wars, ET, Gladiator, Shawshank... If you enjoy a good guilt trip, I dunno, apply it to alcohol or something...IS there any pleasure left to be guilty about...?
Sugar?
Well, here's one thread in which youy'll expect to find no mention of Roussel's symphonies (apart from the one that I'm making now!)...
Puccini was a great operatic composer but I can only listen to his stuff behind closed doors and when I'm on my own.
Not 'guilty' because I'm an unashamed and vocal admirer of David Bowie's novelty hit The Laughing Gnome. In fact, I'd say it's probably the best novelty record ever to come out of Britain - it's gloriously sincere in its cheesiness and 'Bromley Dave' comes across as an affable young uncle, so completely does he enter into the childlike fantasy, terrible jokes an' all! Some great musicianship took, from some wonderful Decca staffers. The associated album, David Bowie, is also highly recommendable, though unrepresentative of what Bowie would later become (he's obviously trying to be an English Jacques Brel, so deserves full marks for ambition!). I've always enjoyed the eerie Hammond playing of session hero Derek Boyes (just listen to the fade-out on Gospel According to Tony Day: psychedelic!).
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