Daniele Gatti Sacked by the Concertgebouw

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  • Petrushka
    Full Member
    • Nov 2010
    • 12389

    Daniele Gatti Sacked by the Concertgebouw

    Surprised that no-one has taken this story up on here.

    Concertgebouw statement here: https://www.concertgebouworkest.nl/e...-daniele-gatti

    The allegations aside, Gatti and the RCO seemed a complete mismatch to me and they must have been praying for an excuse to come along to get rid. The Bruckner 9 at last year's Proms was the most atrocious I've ever heard and Gatti's card looked marked then.

    The world isn't exactly awash with great conductors right now so the RCO have a bit of a problem in finding the right chief.

    Any suggestions from fellow conductor-watchers?
    "The sound is the handwriting of the conductor" - Bernard Haitink
  • Tony Halstead
    Full Member
    • Nov 2010
    • 1717

    #2
    Originally posted by Petrushka View Post
    Surprised that no-one has taken this story up on here.

    Concertgebouw statement here: https://www.concertgebouworkest.nl/e...-daniele-gatti

    The allegations aside, Gatti and the RCO seemed a complete mismatch to me and they must have been praying for an excuse to come along to get rid. The Bruckner 9 at last year's Proms was the most atrocious I've ever heard and Gatti's card looked marked then.

    The world isn't exactly awash with great conductors right now so the RCO have a bit of a problem in finding the right chief.

    Any suggestions from fellow conductor-watchers?
    Andrew Manze?

    Comment

    • Petrushka
      Full Member
      • Nov 2010
      • 12389

      #3
      I wonder if Mariss Jansons might return as interim chief before a new one is appointed?

      The RCO have a history of going for young conductors and I'm hoping they will show the same sort of boldness they showed with Mengelberg and Haitink and go for Karina Canellakis. She has been appointed conductor of the Netherlands Radio Philharmonic from next season so the RCO might make an offer she can't refuse or she could be the next chief but one.
      "The sound is the handwriting of the conductor" - Bernard Haitink

      Comment

      • zola
        Full Member
        • May 2011
        • 656

        #4
        Otto Tausk is Dutch somebody posted yesterday ?

        Comment

        • BBMmk2
          Late Member
          • Nov 2010
          • 20908

          #5
          I could have a bash!
          Don’t cry for me
          I go where music was born

          J S Bach 1685-1750

          Comment

          • cloughie
            Full Member
            • Dec 2011
            • 22240

            #6
            They want a conductor not a percussionist, BBM

            Comment

            • richardfinegold
              Full Member
              • Sep 2012
              • 7828

              #7
              I didn’t know about it.
              On Musical Terms alone, he has had a disastrous tenure. This is such a Godsend for the Orchestra, IMO. If I was a Conspiracy Buff, I would think that they trumped up a bunch of vague doings just to get rid of him.
              I agree with Petrushka, they should go for a relatively young and unknown local and see if they can repeat the Haitink experience. Perhaps Jansons and Van Zweieden can hold the reins for a year for while the search is on

              Comment

              • cloughie
                Full Member
                • Dec 2011
                • 22240

                #8
                Originally posted by richardfinegold View Post
                I didn’t know about it.
                On Musical Terms alone, he has had a disastrous tenure. This is such a Godsend for the Orchestra, IMO. If I was a Conspiracy Buff, I would think that they trumped up a bunch of vague doings just to get rid of him.
                I agree with Petrushka, they should go for a relatively young and unknown local and see if they can repeat the Haitink experience. Perhaps Jansons and Van Zweieden can hold the reins for a year for while the search is on
                You mean like Jochum and Haitink in the 60s!

                Comment

                • Warlock
                  Full Member
                  • Apr 2014
                  • 35

                  #9
                  They could have Rattle or Elder or both of them.

                  Comment

                  • Dave2002
                    Full Member
                    • Dec 2010
                    • 18061

                    #10
                    Originally posted by Petrushka View Post
                    The world isn't exactly awash with great conductors right now so the RCO have a bit of a problem in finding the right chief.
                    Isn't this often the way? Relatively few people get to be classified as "great" within their lifetime, and in the case of conductors some who are by then so judged are often of "advanced years".

                    There is also an issue of maintaining and improving orchestral standards - which is where Rattle is thought to have scored particularly well in his earlier years. In the case of the RCO anyone who took on the position would have to consider that, as well as delivering an outstanding programme of very good concerts.

                    I liked Gergiev at the LSO, but he was very stretched (he was with other orchestras too) - and that's probably not the way to work sensibly - for most people at least.

                    It may turn out to be best to go with someone relatively (but not completely) unknown who will develop, along with the orchestra.

                    Comment

                    • ferneyhoughgeliebte
                      Gone fishin'
                      • Sep 2011
                      • 30163

                      #11
                      There are as many "Great Conductors" as there have ever been - it's just that they don't perform in the ways that their equivalents in the '60s or '40s or 1890s used to, so there is a "natural" tendency for people brought up with those earlier traditions to think that "there aren't any greats any more". In the late '60s, Maria Callas gave an interview in which she expressed her disdain at the thought that Georg Szell was a great conductor ("My god" In my day we had Furtwangler!") and there were probably members of the audiences at Furtwangler's concerts who said that he was "all right - but you should have been there for Bulow!" And people in their twenties now, whose eyes glaze over when I mention - yet again - how good Karajan was, will, in fifty years' time be attending concerts by younger conductors and thinking to themselves "Why can't they produce people of the stature of Petrenko or Canellakis any more?"
                      [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                      Comment

                      • BBMmk2
                        Late Member
                        • Nov 2010
                        • 20908

                        #12
                        It’s a generational thing I think too. I mean look at Otto Tausk and Ben Gernon?
                        Don’t cry for me
                        I go where music was born

                        J S Bach 1685-1750

                        Comment

                        • Richard Barrett
                          Guest
                          • Jan 2016
                          • 6259

                          #13
                          Originally posted by ferneyhoughgeliebte View Post
                          There are as many "Great Conductors" as there have ever been - it's just that they don't perform in the ways that their equivalents in the '60s or '40s or 1890s used to, so there is a "natural" tendency for people brought up with those earlier traditions to think that "there aren't any greats any more".
                          "Great Conductors" don't have the tyrannical position relative to instrumentalists that they used to, which is a step in the right direction as far as I'm concerned. I can't speak for Gatti's musical achievements, which of course have no relevance at all in the current context, but his sacking is a welcome sign that such power-abusing antics by conductors could end up being seen as just as unacceptable as they are in other walks of life! Maybe this kind of thing is an underappreciated side of why some people find the "classical music world" irrelevant and anachronistic.

                          Comment

                          • ferneyhoughgeliebte
                            Gone fishin'
                            • Sep 2011
                            • 30163

                            #14
                            Originally posted by Richard Barrett View Post
                            "Great Conductors" don't have the tyrannical position relative to instrumentalists that they used to, which is a step in the right direction as far as I'm concerned.
                            [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                            Comment

                            • Stanfordian
                              Full Member
                              • Dec 2010
                              • 9344

                              #15
                              Originally posted by ferneyhoughgeliebte View Post
                              I attended a Concertgebouw concert under Gatti as recently as May at Kulturpalast Dresden - performing Mahler Symphony No. 1 it was a remarkable concert with stunning playing.

                              Comment

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