At 10.25 this morning Sarah Walker offered us the first movement of Debussy's 'La Mer' played by what I took to be piano trio. I must admit that, for me, it singularly failed to evoke the power and majesty of the sea and, overall, struck me as a rather pointless exercise. Yet other scaled-down transcriptions can add to our appreciation and understanding of the original piece. I particularly enjoy Schoenberg's 'take' on Strauss waltzes. Are some pieces perhaps best left 'untranscribed'?
Scaled-down transcriptions
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I heard Sally Beamish's Piano Trio reduction of La Mer at a Trio Apaches concert a couple of years ago, and was similarly unimpressed, LMcD. But I think that this is the fault of the arranger, rather than the idea of an arrangement for Piano Trio as such: the composer's own reduction for two pianos is remarkably successful in transforming his own astonishing orchestration into pianistic writing.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by LMcD View PostI particularly enjoy Schoenberg's 'take' on Strauss waltzes."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Bryn View PostAnyone here familiar with this set?
Not as slimmed down as piano trio version of the 2nd Symphony but . . .
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I've conducted scaled-down versions of various operettas and musicals, the only benefit being that the orchestra is thereby cheaper.
Similarly, the Scarborough Spa Orchestra was reduced to one-per-part a few years after Max Jaffa's retirement, and the effect was (and remains) detrimental. Again, the reason was economic, but to balance the books, you may unbalance the orchestra.
But the OP specifies transcriptions - an entirely different matter, piano trios being a particular favourite genre of mine.
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Originally posted by Brassbandmaestro View PostWith brass bands, it's a similar thing. brass bands usually consist of 28 brass instruments, plus three percussionists. When it comes to orchesdtral arrangements, if it's a good one, I sometimes prefer the brass band version!
Overall Bbm I agree with you, but there is also the question of tastefulness. A really good arrangement is wonderful but at the other end is a dull dumbed-down version which has been done to make it easy to play.
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Originally posted by vinteuil View Post
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Originally posted by cloughie View PostI see this is available from an amazon merchant in Switzerland at £14.94 plus £1.26 pp - anyone know if this would be clobbered with a post office customs surcharge?
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Originally posted by Bryn View PostIn general, for goods sent from countries outside the EU, if the value od such goods is under £15, no duty is payable. However, in the case of Switzerland, I think there is a reciprocal arandgement with the EU, as with other EFTA , members. I have never been charged duty or additional VAT when ordering from Swiss vendors.
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There are of course the Liszt piano transcriptions of famous and less famous classics, which are often not only better than the originals, impressing just by virtue of what the piano/pianist can achieve with no loss from the originals, but show Liszt the arranger as often the greater source of his inspiration than using his own materials. And the same almost goes for Stravinsky's transcriptions of three movements from Petruschka, some of the most thrilling piano writing ever put on paper. I for one like also the latter's two-piano transcription of The Rite, disagreeing with Ansermet's original alleged shock on hearing the composer's pre-debut go-through on the piano, namely to the effect that the piano lacked the necessary orchestral colourations vital to its success. Stravinsky went on to profit from applying pianistic resources to the layered harmonic complexities of his "Russian" period work in Les Noces, and others further profited from that particular example, including Bartok in his Sonata for Two Pianos and Percussion, which, ironically, sounds better in the original than in the composer's later orchestrated counter-reduction!
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