How many of the Beethoven symphonies do you actually LIKE?

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  • verismissimo
    Full Member
    • Nov 2010
    • 2957

    #31
    Originally posted by makropulos View Post
    What a strange thing. So Schumann Spring, Schubert 5, Piano Trio D898, Sonata D960, Shepherd on the Rock, Haydn 102, Mozart K595 and Serenade for 13 wind, Bach Brandenburg 6, Beethoven Op. 130 and Archduke Trio, Brahms's Sextet No. 1 - all duds in your book?
    And any and all HIPP, mak.

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    • kea
      Full Member
      • Dec 2013
      • 749

      #32
      Well if they're HIP they'll technically be performed in A major (relative to A=440 temperament), and thus be acceptable to him

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      • Bergonzi
        Banned
        • Feb 2018
        • 122

        #33
        Originally posted by Dave2002 View Post
        You realy don't know what you are missing ... but then again ... perhaps you do!
        I didn't mean what you thought I meant! My fault. I love the Haydn quartets, but I realise in answering a previous post it was ambiguous.

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        • Petrushka
          Full Member
          • Nov 2010
          • 12242

          #34
          I love all of the Beethoven symphonies. How is it possible not to do so when they are the bedrock, not only of Western classical music, but also of any serious music-lover's recorded collection? I never tire of them and some of the disparaging comments here are something I'm surprised people are prepared to admit.

          I've just this week been listening to Bernstein's NYPO cycle and once again the symphonies come up as fresh as new paint.
          "The sound is the handwriting of the conductor" - Bernard Haitink

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          • antongould
            Full Member
            • Nov 2010
            • 8780

            #35
            In the days of salymap surveys which many of us may recall ..... she possibly went OTT and asked for favourite 1st, 2nd, 3rd etc. Symphonies

            Beethoven achieved in this parish

            1st no votes
            2nd 1 vote in 8th equal position
            3rd 4 votes 2nd position
            4th 1 8th equal
            5th 1 9th equal
            6th 3 4th equal
            7th 5 2nd
            8th 1 5th equal
            9th 7 1st equal

            ..... they say data is never wasted but perhaps it is ....

            Comment

            • Richard Tarleton

              #36
              Originally posted by Petrushka View Post
              ...they are the bedrock, not only of Western classical music, but also of any serious music-lover's recorded collection? .
              Pet, I regard myself as a serious music lover (and serious amateur player), and am quite prepared to admit to only owning recordings of 2,3,5,6,7 and 9, and no complete sets. As for bedrock - there are surely numerous, erm, strata, below? - not to flog the geological metaphor too hard Substitute "standard concert repertoire", perhaps, for "western classical music?" I haven't heard all of them performed live, either (some often, of course - I'm obsessed with 7, adore 6...) - although broadcast, of course, hundreds of times. With so many performances available there's never seemed much point, to me, in actually acquiring multiple sets/versions

              I do own multiple complete sets of the string quartets, piano sonatas, chamber music....

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              • Serial_Apologist
                Full Member
                • Dec 2010
                • 37628

                #37
                I'll always thank Beethoven for the Fifth, which I was made to study for its structure at the age of 13. From it I learned all I needed that would carry me forward as regards sonata, variation, scherzo 'n' trio and rondo forms. I guess I like parts of them, rather than particularly as wholes, although I wouldn't listen to them in bleeding chunks. So, the slow movement of 7, for the reassurement offered by its theme and especially its fugal development - but not the scherzo & trio, which for me repeats its materials too much; No 8, this time in its entirety for its joyfulness, economy of means and treatment thereof; No 9 - not for the opening movement, which again I find repetitious to the point of tedious - a fault I often think in Beethoven, No 8 (and the late quartets) apart - but for the fugal treatment of the second movement's trumping this over-repetitive characteristic. I've never much liked Beethoven's approach to orchestration, finding it bloated after Mozart's lightness of touch. I don't think he was particularly concerned with timbre and combination, continuing Haydn's stock methods and inflating them as time went on. There again, orchestration is I find problematic until Berlioz and Liszt started to re-think and de-clutter it to make space for the subtle contrasts, spatiality and novel doublings of the Russians. Subject for another discussion, perhaps? We don't talk much of scoring here, do we? - more about varying interpretations thereof.

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                • EdgeleyRob
                  Guest
                  • Nov 2010
                  • 12180

                  #38
                  I like 63/4 of Beethoven's symphonies,don't particularly care for 1,2 and the finale of 9 but I wouldn't make disparaging comments about them
                  I like all the piano and chamber music.

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                  • Bryn
                    Banned
                    • Mar 2007
                    • 24688

                    #39
                    Likes: all those he completed, very much including the final movement of the 9th. Barry Cooper's single movement of a putative 10th I find anyrthing but forward looking. Neither the Morris nor the Weller recording get even an occasional spin these days.

                    Dislikes: Not even the often misnamed 'Battle Symphony'. Good raucous fun.
                    Last edited by Bryn; 31-03-18, 17:26. Reason: Typo

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                    • Petrushka
                      Full Member
                      • Nov 2010
                      • 12242

                      #40
                      I'm sorry, but the Beethoven symphonies are the absolute pinnacle of symphonic art; all musical history led up to them and musical history could never again be the same after them. To say that the glorious 2nd symphony 'has nothing to recommend it' and the 8th as 'a crude and shallow piece of work' is not what I would have expected to read on a forum such as this and seems to me to be more in the nature of a deliberate wind up job.
                      "The sound is the handwriting of the conductor" - Bernard Haitink

                      Comment

                      • Serial_Apologist
                        Full Member
                        • Dec 2010
                        • 37628

                        #41
                        Originally posted by Petrushka View Post
                        I'm sorry, but the Beethoven symphonies are the absolute pinnacle of symphonic art; all musical history led up to them and musical history could never again be the same after them. To say that the glorious 2nd symphony 'has nothing to recommend it' and the 8th as 'a crude and shallow piece of work' is not what I would have expected to read on a forum such as this and seems to me to be more in the nature of a deliberate wind up job.
                        And it's still only March 31st!

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                        • Richard Barrett
                          Guest
                          • Jan 2016
                          • 6259

                          #42
                          Originally posted by Petrushka View Post
                          I'm sorry, but the Beethoven symphonies are the absolute pinnacle of symphonic art
                          - in your opinion.
                          Originally posted by Petrushka View Post
                          To say that the glorious 2nd symphony 'has nothing to recommend it' and the 8th as 'a crude and shallow piece of work' is not what I would have expected to read on a forum such as this and seems to me to be more in the nature of a deliberate wind up job.
                          Actually my opinion of the no.8 was not so different from that until recently, and, although I must have heard no.2 numerous times I can't bring a single moment of it to mind at the moment so it obviously hasn't made that much impact. It is clear that Beethoven's symphonies are historically important in many ways, but so are many other pieces of music, from the Symphonie fantastique to Gesang der Jünglinge, without everyone having to (in the words of the OP) "actually LIKE" them...

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                          • verismissimo
                            Full Member
                            • Nov 2010
                            • 2957

                            #43
                            This thread sent me back today to Konwitschny's 1963 Eroica with the Gewandhausorchester, and especially to the Funeral March.

                            Utterly gripping. From the first note.

                            Comment

                            • Beef Oven!
                              Ex-member
                              • Sep 2013
                              • 18147

                              #44
                              I have no idea why Beethoven's siymphonies are of historical importance and I've never viewed them that way, believe it or not. But I will say that I enjoy them and love them as much as Bruckner's, Mahler's and Sibelius'. Especially 3-9.

                              Comment

                              • Conchis
                                Banned
                                • Jun 2014
                                • 2396

                                #45
                                Sibleius is a lesser composer than Beethoven but I can listen to his 1-7 without interruption. I'm not able to do the same for the Beethoven symphonies, even though they are, genearlly speaking, 'greater' and 'more important' works.

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