Parry and Stanford

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  • BBMmk2
    Late Member
    • Nov 2010
    • 20908

    #16
    Originally posted by Lat-Literal View Post
    Thank you ever so much to everyone who has posted.

    There is a lot to help me forward here.
    Aren't we as bad lot, making people spend their money and mine!
    Don’t cry for me
    I go where music was born

    J S Bach 1685-1750

    Comment

    • Pabmusic
      Full Member
      • May 2011
      • 5537

      #17
      I've just finished reading (for the nth time) Love Lies Bleeding, by Edmund Crispin (Bruce Montgomery). It features nasty goings-on during a Shakepeare play jointly put on by a boys' and a girls' public school. The Headmaster of one is Dr. Stanford; the Headmistress of the other, Miss Parry.

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      • Lat-Literal
        Guest
        • Aug 2015
        • 6983

        #18
        Originally posted by Brassbandmaestro View Post
        Aren't we as bad lot, making people spend their money and mine!

        Comment

        • BBMmk2
          Late Member
          • Nov 2010
          • 20908

          #19
          But, on a serious note, lat, that recording by Tenebrae, you should get to hear!
          Don’t cry for me
          I go where music was born

          J S Bach 1685-1750

          Comment

          • LMcD
            Full Member
            • Sep 2017
            • 8472

            #20
            On Radio 3 at 11.30 p.m. this Sunday:
            Stanford: Cello Concerto in D Minor, Symphony No. 7

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            • BBMmk2
              Late Member
              • Nov 2010
              • 20908

              #21
              Originally posted by LMcD View Post
              On Radio 3 at 11.30 p.m. this Sunday:
              Stanford: Cello Concerto in D Minor, Symphony No. 7
              Thanks for the heads up! I have quite a bit of listening to do today!
              Don’t cry for me
              I go where music was born

              J S Bach 1685-1750

              Comment

              • BBMmk2
                Late Member
                • Nov 2010
                • 20908

                #22
                Originally posted by Brassbandmaestro View Post
                Thanks for the heads up! I have quite a bit of listening to do today!
                Hmmm, couldn't find it this?
                Don’t cry for me
                I go where music was born

                J S Bach 1685-1750

                Comment

                • ferneyhoughgeliebte
                  Gone fishin'
                  • Sep 2011
                  • 30163

                  #23
                  Originally posted by Brassbandmaestro View Post
                  Hmmm, couldn't find it this?
                  "[T]his Sunday" means "this coming Sunday" - or "next Sunday", if you prefer - as opposed to "this Sunday just gone"

                  Two works spanning Stanford's career - his early Cello Concerto and his final Symphony.
                  [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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                  • BBMmk2
                    Late Member
                    • Nov 2010
                    • 20908

                    #24
                    Originally posted by ferneyhoughgeliebte View Post
                    "[T]his Sunday" means "this coming Sunday" - or "next Sunday", if you prefer - as opposed to "this Sunday just gone"

                    https://www.bbc.co.uk/programmes/b09w6xwy
                    I should have read properly(note to self!)
                    Don’t cry for me
                    I go where music was born

                    J S Bach 1685-1750

                    Comment

                    • Stanfordian
                      Full Member
                      • Dec 2010
                      • 9312

                      #25
                      Originally posted by Lat-Literal View Post
                      I would be interested to hear opinions on the respective merits of these composers, music of theirs which stands up today, and any potential for reassessment beside or against Elgar.
                      New CD of Parry songs to be released soon on Somm label.

                      Sir Hubert Parry: Twelve Sets of English Lyrics Volume II

                      Andrew West, James Gilchrist, Roderick Williams, Sarah Fox

                      Comment

                      • Eine Alpensinfonie
                        Host
                        • Nov 2010
                        • 20570

                        #26
                        Parry's orchestration, though extremely competent, somehow lacks imagination. It's mostly strings sawing away, with colouration from the other sections when needed. I don't suggest it isn't good, but there are missed opportunities - something clearly indicated by comparing the composer's own orchestration of Jerusalem with Elgar's rethinking, shortly afterwards.

                        Parry/Parry



                        Parry/Elgar
                        Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 -- 7 October 1918) was an English composer, teacher and historian of music. Parry's first ma...

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                        • ferneyhoughgeliebte
                          Gone fishin'
                          • Sep 2011
                          • 30163

                          #27
                          Interesting point, Alpie - and it's certainly true also of Best Pair of Nylons. But whilst it's true of the choral accompaniments, I don't feel the same sense of "missed opportunities" in the two purely orchestral works of his that I know best: the Fifth Symphony and the Elegy for Brahms.
                          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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                          • Pabmusic
                            Full Member
                            • May 2011
                            • 5537

                            #28
                            Originally posted by Eine Alpensinfonie View Post
                            Parry's orchestration, though extremely competent, somehow lacks imagination. It's mostly strings sawing away, with colouration from the other sections when needed. I don't suggest it isn't good, but there are missed opportunities - something clearly indicated by comparing the composer's own orchestration of Jerusalem with Elgar's rethinking, shortly afterwards.

                            Parry/Parry



                            Parry/Elgar
                            https://www.youtube.com/watch?v=E5MaLVaN6tI
                            Spot on, Alpie. It's a bit like an organ sound - unvarying. Mark you, Stanford - though more varied - can be rather bland.

                            Comment

                            • Serial_Apologist
                              Full Member
                              • Dec 2010
                              • 37691

                              #29
                              Originally posted by Eine Alpensinfonie View Post
                              Parry's orchestration, though extremely competent, somehow lacks imagination. It's mostly strings sawing away, with colouration from the other sections when needed. I don't suggest it isn't good, but there are missed opportunities - something clearly indicated by comparing the composer's own orchestration of Jerusalem with Elgar's rethinking, shortly afterwards.

                              Parry/Parry



                              Parry/Elgar
                              https://www.youtube.com/watch?v=E5MaLVaN6tI
                              Could Brahms's example be the explanation? It does surprise me in Parry's case, given there are often strong Wagnerian traits in the harmony, particularly from "Die Meistersinger" in "Blest Nair of Pylons", often felt to define "Britishness" as an idiom.

                              Comment

                              • BBMmk2
                                Late Member
                                • Nov 2010
                                • 20908

                                #30
                                Originally posted by Pabmusic View Post
                                Spot on, Alpie. It's a bit like an organ sound - unvarying. Mark you, Stanford - though more varied - can be rather bland.
                                Pabs, you not saying that the sound of the organ is not vaired?
                                Don’t cry for me
                                I go where music was born

                                J S Bach 1685-1750

                                Comment

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