Your Favourite Slow Movement

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  • pastoralguy
    Full Member
    • Nov 2010
    • 7872

    #16
    Mozart. Piano concerto No.23 in A. K.488.

    One of the rare occasions when Mozart used the term Adagio.

    Comment

    • Joseph K
      Banned
      • Oct 2017
      • 7765

      #17
      Originally posted by alycidon View Post
      Bach: Double Violin Concerto
      I forgot about that.

      Originally posted by cloughie View Post
      Loads of lovely larghettos, adagios and stuff but the final movement of Mahler 3 must be one of the most wonderful slow movements ever.
      Agreed. I have memories of straining my ears to hear much of that via my CD Walkman as much of it is rather quiet. Must give it a spin soon...

      Comment

      • EdgeleyRob
        Guest
        • Nov 2010
        • 12180

        #18
        Originally posted by Serial_Apologist View Post
        Vaughan Williams Symphony No 7.
        Great shout

        Vaughan Williams - Piano Concerto
        Elgar - Symphony No 2
        Ireland - Cello Sonata
        Rubbra - Symphony No 6
        Howells - Piano Quartet
        Finzi - Clarinet Concerto
        Weinberg - Piano Sonata No 2
        Mendelssohn - String Quartet No 6
        Beethoven - Piano Sonata No 23
        Mozart - Divertimento K563 2nd movement

        Comment

        • MickyD
          Full Member
          • Nov 2010
          • 4879

          #19
          L'entrée de Polymnie from Rameau's "Les Boréades"



          This Telemann Chaconne:

          The Tempesta di Mare Chamber Players perform the Chaconne "Modéré" from the 6th Nouveau Quatuor, also known as the 12th Paris Quartet, in E minor, by Georg P...
          Last edited by MickyD; 26-02-18, 07:24.

          Comment

          • Constantbee
            Full Member
            • Jul 2017
            • 504

            #20
            Shostakovich Piano Concerto 2 - the Andante

            Beethoven Violin Concerto - the Larghetto - and my favourite recording would be the 1961 Alfredo Campoli, for the bel canto you just never hear any more Don't care how many stars or rosettes it's got it's pure schmaltz, and anyway I have a sneaking suspicion it might just be coming back into fashion.

            Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
            And the tune ends too soon for us all

            Comment

            • DublinJimbo
              Full Member
              • Nov 2011
              • 1222

              #21
              Originally posted by EdgeleyRob View Post
              Vaughan Williams - Piano Concerto
              Elgar - Symphony No 2
              Ireland - Cello Sonata
              Rubbra - Symphony No 6
              Howells - Piano Quartet
              Finzi - Clarinet Concerto
              Weinberg - Piano Sonata No 2
              Mendelssohn - String Quartet No 6
              Beethoven - Piano Sonata No 23
              Mozart - Divertimento K563 2nd movement
              I like the inclusion of the Weinberg.

              Comment

              • EdgeleyRob
                Guest
                • Nov 2010
                • 12180

                #22
                Originally posted by DublinJimbo View Post
                I like the inclusion of the Weinberg.
                Thank you DJ.
                The phrase bitter sweet doesn't do it justice,almost too painful to listen to.

                Comment

                • BBMmk2
                  Late Member
                  • Nov 2010
                  • 20908

                  #23
                  That must be worth a listen then, ER!
                  Don’t cry for me
                  I go where music was born

                  J S Bach 1685-1750

                  Comment

                  • Eine Alpensinfonie
                    Host
                    • Nov 2010
                    • 20578

                    #24
                    Mozart Symphony 40
                    Mozart Piano Concerto 23
                    Beethoven Symphony 9
                    Vaughan Williams Symphony 5
                    Elgar Symphony 1
                    Elgar Symphony 2
                    Elgar/Payne Symphony 3
                    Sibelius Symphony 1
                    Tchaikovsky Symphony 6
                    Strauss Alpine Symphony movement 21

                    ... as long as they're played in context; i.e. not in Breakfast/EC/In Tune/Saturday Classics/The Choir style.

                    Comment

                    • vinteuil
                      Full Member
                      • Nov 2010
                      • 13066

                      #25
                      Originally posted by Eine Alpensinfonie View Post

                      ... as long as they're played in context; i.e. not in Breakfast/EC/In Tune/Saturday Classics/The Choir style.
                      ... ain't that quite the point, though - we shdn't be indulging in such 'bleedin' chunks' exercises if our higher view is that it is the Complete Work that matters for us (tho' with applause between movements as appropriate... )

                      .

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                      • ahinton
                        Full Member
                        • Nov 2010
                        • 16123

                        #26
                        Originally posted by vinteuil View Post
                        (tho' with applause between movements as appropriate... )
                        Having composed six symphonies, Sibelius finally found the solution to the issue of clapping between movements. That said (and apologies for the brief diversion from the topic), has anyone any thoughts about the extent to which such applause seems predominantly to affect performances of orchestral works but is far less of an issue in performances of chamber works?

                        Comment

                        • oddoneout
                          Full Member
                          • Nov 2015
                          • 9423

                          #27
                          Originally posted by ahinton View Post
                          Having composed six symphonies, Sibelius finally found the solution to the issue of clapping between movements. That said (and apologies for the brief diversion from the topic), has anyone any thoughts about the extent to which such applause seems predominantly to affect performances of orchestral works but is far less of an issue in performances of chamber works?
                          Different audiences? Chamber music a bit more 'niche', less populist and not so subject to uninhibited listeners?

                          Comment

                          • oddoneout
                            Full Member
                            • Nov 2015
                            • 9423

                            #28
                            Originally posted by vinteuil View Post
                            ... ain't that quite the point, though - we shdn't be indulging in such 'bleedin' chunks' exercises if our higher view is that it is the Complete Work that matters for us (tho' with applause between movements as appropriate... )

                            .
                            Doesn't need to be bleeding chunks, I think icing on the cake is a much nicer way of considering the topic. There are those who would strip off the icing and leave the cake, but generally it's all consumed together, and may lift the good into the exceptional.

                            Comment

                            • Beef Oven!
                              Ex-member
                              • Sep 2013
                              • 18147

                              #29
                              Originally posted by ahinton View Post
                              Having composed six symphonies, Sibelius finally found the solution to the issue of clapping between movements. That said (and apologies for the brief diversion from the topic), has anyone any thoughts about the extent to which such applause seems predominantly to affect performances of orchestral works but is far less of an issue in performances of chamber works?
                              Chamber audiences are stuck-up.

                              Comment

                              • Eine Alpensinfonie
                                Host
                                • Nov 2010
                                • 20578

                                #30
                                Originally posted by ahinton View Post
                                Having composed six symphonies, Sibelius finally found the solution to the issue of clapping between movements.
                                I think Mendelssohn had already done that in his Violin Concerto.

                                That said (and apologies for the brief diversion from the topic), has anyone any thoughts about the extent to which such applause seems predominantly to affect performances of orchestral works but is far less of an issue in performances of chamber works?
                                No, it's just an issue in the Royal Albert Hall from mid-July to early September. The audience members concerned are perhaps avid listeners to CFM and R3 mornings, and think all musical compositions are single movement works.

                                Comment

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