Conductors who think they know better

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  • Barbirollians
    Full Member
    • Nov 2010
    • 11751

    Conductors who think they know better

    Mahler was guilty of course of this sin of reorchestrating the works of other composers. I am more than amazed to find DG and the newly bearded wunderkind Trifonov allowing Pletnev to do this to the Chopin concertos . Anyone heard this record ? Jeremy Nicholas puts the boot in to the concerto recordings whilst admiring much of the solo stuff .

    I won't be getting it as much as I have enjoyed his Liszt and Rachmaninov records .
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20572

    #2
    Handel, arr. Mozart/Beecham
    Chopin, arr. Elgar/Douglas/Balakirev
    Schubert, arr. Berlioz
    Elgar, arr. Jacob
    Tchaikovsky, arr. Stravinsky
    Pergolesi, arr. Stravinsky
    Mozart, arr. Tchaikovsky
    Mussorgsky, arr. Ravel/Rimsky-Korsakov/Stokowski +++
    Schumann, arr. Mahler
    Rameau, etc., arr. Respighi

    All good stuff. There's no sin involved.

    Comment

    • Dave2002
      Full Member
      • Dec 2010
      • 18034

      #3
      Mahler, arr Schönberg
      Brahms, arr Schönberg
      J. Strauss,arr Schönberg
      Wagner, arr Hindemith

      Comment

      • Alain Maréchal
        Full Member
        • Dec 2010
        • 1287

        #4
        J.S.Bach arr.....

        there isn't space or time enough to list them all. Also, Bach did it himself.

        Originally posted by Dave2002 View Post
        Wagner, arr Hindemith
        Hilariously deranged, in that case.

        Comment

        • pastoralguy
          Full Member
          • Nov 2010
          • 7799

          #5
          Originally posted by Barbirollians View Post
          I am more than amazed to find DG and the newly bearded wunderkind Trifonov allowing Pletnev to do this to the Chopin concertos.
          Has he made them more interesting to play? Hopefully, because having played them many times I can testify they are EXTREMELY uninteresting to perform.

          Comment

          • Pabmusic
            Full Member
            • May 2011
            • 5537

            #6
            There seem to be two different types of example. First, arrangements - which never pretend to be by the original composer. I don't see how these meet the criteria for this thread. Then there are blatant tinkerings with the scoring (Mahler with Schumann, Stokowski adding a gong to The Planets). Now those really do need justification.

            Comment

            • Dave2002
              Full Member
              • Dec 2010
              • 18034

              #7
              Originally posted by pastoralguy View Post
              Has he made them more interesting to play? Hopefully, because having played them many times I can testify they are EXTREMELY uninteresting to perform.
              I didn’t think you played the piano?

              Comment

              • ardcarp
                Late member
                • Nov 2010
                • 11102

                #8
                Now those really do need justification.
                Yes. But the 'ethics' (for want of a better word) were different at the end of the 19th/early 20th century and I guess tinkering with orchestration was considered OK. Also Kenneth Hamilton's wonderful book After the Golden Age: Romantic Pianism suggests that it was not unusual for the great 19th century masters of the instrument to disregard the urtext and 'tinker' as they went along.

                The Chopin concertos were mentioned in the OP. Chopin is 'the pianist's composer' and nothing gives me greater keyboard fulfilment these days than hacking through those of his works which are within my inadequate grasp. BUT, I have always found his orchestration very dull, and heretical though it may be to say so, I don't blame Pletnov for tinkering with it. (I haven't heard the DG recordings.)

                Comment

                • Conchis
                  Banned
                  • Jun 2014
                  • 2396

                  #9
                  Abbey Road Studios, autumn 1970:

                  Klemperer: I'm making cuts to the finale (of Bruckner's 8th symphony), because Bruckner clearly over-reached himself here.

                  Suvi Raj Grubb (astonished): But you can't do that! It'll make the recording uncompetitive!

                  Klemperer: Then find yourself another conductor, Herr Grubb.

                  Comment

                  • Barbirollians
                    Full Member
                    • Nov 2010
                    • 11751

                    #10
                    Originally posted by Conchis View Post
                    Abbey Road Studios, autumn 1970:

                    Klemperer: I'm making cuts to the finale (of Bruckner's 8th symphony), because Bruckner clearly over-reached himself here.

                    Suvi Raj Grubb (astonished): But you can't do that! It'll make the recording uncompetitive!

                    Klemperer: Then find yourself another conductor, Herr Grubb.
                    He clearly should have done - who listens to Klemperer's mutilation of the Eighth ?

                    Jeremy Nicholas's boot is directed more at the tempi than the alterations but Pabs is right quite obviously this thread is not directed at arrangements .

                    Comment

                    • Conchis
                      Banned
                      • Jun 2014
                      • 2396

                      #11
                      I suspect Bernstein may count as the biggest serial offender here (especially in later life) but I'll confess to enjoying his massively elongated NYPO Pathetique and (even) his notorious BBCSO Enigma Variations.

                      Comment

                      • cloughie
                        Full Member
                        • Dec 2011
                        • 22180

                        #12
                        Originally posted by Pabmusic View Post
                        There seem to be two different types of example. First, arrangements - which never pretend to be by the original composer. I don't see how these meet the criteria for this thread. Then there are blatant tinkerings with the scoring (Mahler with Schumann, Stokowski adding a gong to The Planets). Now those really do need justification.
                        ...or Dutoit adding sythesiser to Planets.

                        Comment

                        • vinteuil
                          Full Member
                          • Nov 2010
                          • 12927

                          #13
                          Originally posted by Pabmusic View Post
                          Then there are blatant tinkerings ...
                          ... yep. All those pianists playing Mozart, Beethoven, Schubert, Chopin &c on modern Steinways, for starters.


                          .

                          Comment

                          • Eine Alpensinfonie
                            Host
                            • Nov 2010
                            • 20572

                            #14
                            Originally posted by vinteuil View Post
                            ... yep. All those pianists playing Mozart, Beethoven, Schubert, Chopin &c on modern Steinways, for starters.


                            .
                            Yes. Heaven forbid that the music might actually sound better.

                            Comment

                            • cloughie
                              Full Member
                              • Dec 2011
                              • 22180

                              #15
                              Originally posted by vinteuil View Post
                              ... yep. All those pianists playing Mozart, Beethoven, Schubert, Chopin &c on modern Steinways, for starters.


                              .
                              It would be hippocritical for me to comment on that.

                              Comment

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