Originally posted by cloughie
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Five Pieces you would be happy to never hear again
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Originally posted by Barbirollians View PostReading Alan Bennett's most recent volume of diaries on one day he mentions ( and I think they may have turned up on his Private Passions ) that he would be happy to never hear again .
They were
Schubert Symphony No 5
Beethoven Symphony No 6
Rimsky Korsakov Scheherazade
Mussorgsky/Ravel Pictures at an Exhibition
Mozart Symphony No 40
He added it's not that I have heard them too often I just don't care for them .
Though when on Private Passions he did suggest he may have heard the Pastoral too often and said he loved Schubert but found the Fifth Symphony too saccharine .
I suspect for most of us not getting on with a piece of music is just that they don't trigger an emotional response in you rather than by musicological analysis finding faults of construction in a piece .
I was prompted to think we're there five pieces of central repertoire that I just don't care for despite trying . I came up with
Bruckner 5 - unlike just about everything else he wrote well maybe not the study symphony it just does nothing for me and seems to go on for ever even in the Jochum Tahra account
Wagner Das Rheingold I would rather just read the synopsis and get on to Die Walkure
Bartok's String Quartets - I have tried and have two complete sets both seem excellent but they just are hard work
Orff Carmina Burana - I cannot abide it end of story even without knowing about the unpleasant composer
Until I heard the Horenstein I would have added Mahler 8 as even Solti's hands it just didn't hang together .
So my fifth choice would be Stravinsky's Les Noces - in fact I don't really like any of his vocal works .
What are yours ? Can you identify why you don't care for them - with the exception of Pictures I would be very sorry not to hear any of Mr Bennett's list again .
For me there are pieces that have simply worn out - and my initial list would match Alan Bennet's quite closely.But recently I chanced upon the recordings of Beethoven's Pastoral Symphony and Mozart's 40th that I heard first of all (Klemperer and Furtwangler respectively) and it was a revelation. For so long these works had become tired and unimaginative to my jaded ears, and then suddenly I heard them again as if for the first time and something of that initial pure joy flooded back.
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Originally posted by Bella Kemp View PostFor me there are pieces that have simply worn out - and my initial list would match Alan Bennet's quite closely.But recently I chanced upon the recordings of Beethoven's Pastoral Symphony and Mozart's 40th that I heard first of all (Klemperer and Furtwangler respectively) and it was a revelation. For so long these works had become tired and unimaginative to my jaded ears, and then suddenly I heard them again as if for the first time and something of that initial pure joy flooded back.
Mozart 40? Well, for me, even conducted badly it can pack a punch.
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Originally posted by ahinton View PostA device without wires, I guess;It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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