YouTube videos with score

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • teamsaint
    Full Member
    • Nov 2010
    • 25200

    #16
    just had another look on an altogether better screen, and realise that I misread that on the train, and it actually says " Average duration crotchet rather than quaver".

    which is rather different to how I first read it. I had this idea in my head after reading that, ( though clearly not on close examination of the score) of something rythmically interesting and rather difficult to pull off for the performer !
    Edit: which probably does apply in any case......
    Last edited by teamsaint; 11-10-17, 19:44.
    I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

    I am not a number, I am a free man.

    Comment

    • EdgeleyRob
      Guest
      • Nov 2010
      • 12180

      #17
      How is this even possible ?

      Comment

      • Richard Barrett
        Guest
        • Jan 2016
        • 6259

        #18
        Originally posted by ferneyhoughgeliebte View Post
        This (or something similar) is what I suspect is presented in this youTube video of Politeia, from the (as yet) not commercially recorded Construction.
        What the composer should have done is typeset the quintet material (which originally existed as a separate piece) and lined it up on the same pages as the octet material, but apparently the deadline was getting too close and there wasn't time to work out how to typeset all the unconventional notations in the quintet, let alone to actually do it. So they ended up on different pages.

        Comment

        • kea
          Full Member
          • Dec 2013
          • 749

          #19
          Originally posted by EdgeleyRob View Post
          How is this even possible ?

          Performance: the tempo marking of crotchet = 112, significantly slower than any of those three etudes individually. The rest is just practice and having big hands.

          Composition: he either fudges some of the lines (mostly in 25/4 and 25/11) to fit the harmonic context or just lets the lines clash, and uses a good deal more dissonance than Chopin would have >.>

          Comment

          • Joseph K
            Banned
            • Oct 2017
            • 7765

            #20
            Nice!

            Comment

            • EdgeleyRob
              Guest
              • Nov 2010
              • 12180

              #21
              Originally posted by kea View Post
              Performance: the tempo marking of crotchet = 112, significantly slower than any of those three etudes individually. The rest is just practice and having big hands.

              Composition: he either fudges some of the lines (mostly in 25/4 and 25/11) to fit the harmonic context or just lets the lines clash, and uses a good deal more dissonance than Chopin would have >.>
              I'll have a go then,as soon as I've mastered Fur Elise

              Comment

              • ferneyhoughgeliebte
                Gone fishin'
                • Sep 2011
                • 30163

                #22
                How about following Bruckner with the autograph score?!

                [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                Comment

                • Keraulophone
                  Full Member
                  • Nov 2010
                  • 1945

                  #23
                  We performed Bach's Ein feste Burg Cantata No. 80 (without W F Bach's OTT trumpets & timps) in a recent service commemorating Reformation 500. Until watchng this very clear analysis of the opening movement, I wasn't fully aware of all the miracles of counterpoint going on around us singers. The SDG Monteverdi Choir/JEG recording has a wonderful sackbut braying out that lowest bass part. This first movement is so overwhelming in its scope and majesty that one needs an extra grand pause in order to come down to earth. There is a complete performance of the movement by La Chapelle Royale and Collegium Vocale / Philippe Herreweghe to conclude the video.

                  Please support this channel on Patreon:https://www.patreon.com/RichardAtkinsonRichard Atkinson analyzes the dizzyingly complex counterpoint in the opening ch...

                  Comment

                  • teamsaint
                    Full Member
                    • Nov 2010
                    • 25200

                    #24
                    Here's a cracker.



                    Who needs virtual reality machines if you have this and a pair of headphones?

                    If I was in a decent SQ, I'd want to bring this to the next rehearsal.
                    I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                    I am not a number, I am a free man.

                    Comment

                    • Joseph K
                      Banned
                      • Oct 2017
                      • 7765

                      #25
                      Hell yes!

                      Comment

                      • teamsaint
                        Full Member
                        • Nov 2010
                        • 25200

                        #26
                        Something very interesting here.
                        Rach Sonata #1 ( two different performances,) with some thorough looking analysis .



                        Lots more from the same poster elsewhere , as you'll see from the links on the side.
                        I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                        I am not a number, I am a free man.

                        Comment

                        • Braunschlag
                          Full Member
                          • Jul 2017
                          • 484

                          #27
                          Originally posted by Joseph K View Post
                          Hell yes!

                          Thanks for that! Joey de Francesco bears a striking resemblance to Peter Kay:) some other good clips there too.

                          Comment

                          • teamsaint
                            Full Member
                            • Nov 2010
                            • 25200

                            #28
                            Here's a cracker.

                            I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                            I am not a number, I am a free man.

                            Comment

                            • Joseph K
                              Banned
                              • Oct 2017
                              • 7765

                              #29
                              Originally posted by teamsaint View Post
                              Here's a cracker.
                              Coincidentally, I was watching/listening to this the other day.

                              Comment

                              • Dave2002
                                Full Member
                                • Dec 2010
                                • 18009

                                #30
                                Béla Bartók's barbarian Piano Sonata Sz. 80. Played live by Martha Argerich.1st mvt: 0:052nd mvt: 4:223rd mvt: 8:33Personally, I enjoy Kocsis' feral vigor in...


                                Argerich plays Bartók - Piano Sonata, Sz. 80 Audio + Sheet music

                                There are some similarities in this work to Stravinsky's Les Noces which was first performed three years earlier than the date of composition of this sonata.

                                Comment

                                Working...
                                X