YouTube videos with score

[teamsaint]

just had another look on an altogether better screen, and realise that I misread that on the train, and it actually says " Average duration crotchet rather than quaver".

which is rather different to how I first read it. I had this idea in my head after reading that, ( though clearly not on close examination of the score) of something rythmically interesting and rather difficult to pull off for the performer !
Edit: which probably does apply in any case......

[EdgeleyRob]

How is this even possible ?

[Richard Barrett]

This (or something similar) is what I suspect is presented in this youTube video of Politeia, from the (as yet) not commercially recorded Construction.

What the composer should have done is typeset the quintet material (which originally existed as a separate piece) and lined it up on the same pages as the octet material, but apparently the deadline was getting too close and there wasn't time to work out how to typeset all the unconventional notations in the quintet, let alone to actually do it. So they ended up on different pages.

[kea]

How is this even possible ?

Performance: the tempo marking of crotchet = 112, significantly slower than any of those three etudes individually. The rest is just practice and having big hands.

Composition: he either fudges some of the lines (mostly in 25/4 and 25/11) to fit the harmonic context or just lets the lines clash, and uses a good deal more dissonance than Chopin would have >.>

[Joseph K]

Nice!

[EdgeleyRob]

Performance: the tempo marking of crotchet = 112, significantly slower than any of those three etudes individually. The rest is just practice and having big hands.

Composition: he either fudges some of the lines (mostly in 25/4 and 25/11) to fit the harmonic context or just lets the lines clash, and uses a good deal more dissonance than Chopin would have >.>

I'll have a go then,as soon as I've mastered Fur Elise

[ferneyhoughgeliebte]

How about following Bruckner with the autograph score?!

[Keraulophone]

We performed Bach's Ein feste Burg Cantata No. 80 (without W F Bach's OTT trumpets & timps) in a recent service commemorating Reformation 500. Until watchng this very clear analysis of the opening movement, I wasn't fully aware of all the miracles of counterpoint going on around us singers. The SDG Monteverdi Choir/JEG recording has a wonderful sackbut braying out that lowest bass part. This first movement is so overwhelming in its scope and majesty that one needs an extra grand pause in order to come down to earth. There is a complete performance of the movement by La Chapelle Royale and Collegium Vocale / Philippe Herreweghe to conclude the video.

https://www.youtube.com/watch?v=eTq3gszPsIQ

[teamsaint]

Here's a cracker.

Who needs virtual reality machines if you have this and a pair of headphones?

If I was in a decent SQ, I'd want to bring this to the next rehearsal.

[Joseph K]

Hell yes!

[teamsaint]

Something very interesting here.
Rach Sonata #1 ( two different performances,) with some thorough looking analysis .

Lots more from the same poster elsewhere , as you'll see from the links on the side.

[Braunschlag]

Hell yes!

Thanks for that! Joey de Francesco bears a striking resemblance to Peter Kay:) some other good clips there too.

[teamsaint]

Here's a cracker.

[Joseph K]

Here's a cracker.

Coincidentally, I was watching/listening to this the other day.

[Dave2002]

https://www.youtube.com/watch?v=lpIlo8tGbSo

Argerich plays Bartók - Piano Sonata, Sz. 80 Audio + Sheet music

There are some similarities in this work to Stravinsky's Les Noces which was first performed three years earlier than the date of composition of this sonata.