Originally posted by Brassbandmaestro
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What Classical Music Are You listening to Now? III
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Shostakovich
Cello Concertos No’s 1 & 2
Alisa Weilerstein (cello)
Symphonieorchester des Bayerischen Rundfunks/Pablo Heras-Casado
Recorded 2015 (Studio No. 1 & Live No. 2) Herkulessaal, Munich
Decca
Arensky
Piano Quintet, Op. 51
String Quartet No. 2, Op. 35
Piano Trio, Op. 32
Spectrum Concerts Berlin
Recorded live 2014, Kammermusiksaal, Philharmonie, Berlin
Naxos
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Originally posted by Richard Barrett View PostThere is indeed (see above) and also a version for string orchestra. Strangely, the liner notes of the Bamert CD don't mention that the orchestral piece is an arrangement of an organ piece. I attended a performance of the Mass a couple of years ago, it's quite an impressive piece.
Thank you Richard Barrett. Yes, I have the one on Hyperion label, re the Mass, with Matthew Best. I’ll see about that recording you mentioned above as well.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Roberto Gerhard
Leo; Gemini; Libra; Concert for 8. Collegium Novum Zurich/Peter Hirsch. NEOS CD 2013.
Stunning Gerhard collection of the late ensemble/instrumental pieces (some of his best music), including all the Zodiac works. Probably not much to choose between these and the Barcelona 216 (Stradivarius), but with the advantage of having them here on a single disc. In truth, and in direct comparison, I did just prefer the NEOS recordings for a touch of extra freedom and drama in their presentation.
Both Libra and Leo end with a variant of the same music - an extraordinary, other-worldly coda with clarinet and flute solos agains a piano ostinato, soft timpani glissandi and hushed percussion adding flickers and colours in the background.
Libra was his own sign, Leo his wife's. Leo was his last completed work.Last edited by jayne lee wilson; 02-08-18, 03:16.
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Vivaldi - x2 - Double Concertos for horns, oboes, violin & cello, oboe & bassoon
Concerto for 2 horns, strings & continuo, RV 539
Concerto for 2 oboes, strings & continuo, RV 535
Concerto for violin, cello, strings & continuo, RV 546
Concerto for oboe, bassoon, strings & continuo, RV 545
Concerto for 2 horns, strings & continuo, RV 538
Concerto for violin, cello, strings & continuo, RV 547
Concerto for 2 oboes, strings & continuo, RV 536
Concerto per S.A.S.I.S.P.G.M.D.G.S.M.B. for violin, cello, 2 oboes, 2 horns, strings & continuo, RV
La Serenissima (period instruments) / Adrian Chandler (baroque violin)
Recorded 2018 Cedars Hall, Wells, Somerset
Avie - new release
‘Magdalena Kožená – Monteverdi’
Arias from Monteverdi, Uccellini, Merula, Marini
Magdalena Kožená (mezzo-soprano)
La Cetra Barockorchester Basel / Andrea Marcon (direction & harpsichord)
with David Feldman (countertenor); Jakob Pilgram (bass); Michael Feyfar (tenor); Luca Titoto (bass)
Recorded 2014 Kirche St. German von Auxerre, Seewen, Switzerland
Archiv Produktion
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Bartók: The Miraculous Mandarin, Op.19, Sz.73
Anton-Webern-Choir Freiburg/SWR Baden and Freiburg Symphony Orchestra/Michael Gielen
Helped by the crystal-clear acoustics of the Freiburg Concert Hall, I think that this may be the best performance of this piece I've heard since first hearing it (BBC SO/Dorati - a much treasured LP) all those years ago (1967 - eek!). Gielen has a wonderful ear for the texture of the music but doesn't forget that it was written as a stage work, rather than as an ear-battering orchestral showpiece. I can't recommend Volume 5 of the Michael Gielen Edition with its mix of his Bartók and Stravinsky highly enough (I seem to remember Richard B enthusing about it as well).
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Originally posted by HighlandDougie View PostI can't recommend Volume 5 of the Michael Gielen Edition with its mix of his Bartók and Stravinsky highly enough (I seem to remember Richard B enthusing about it as well).
Continuing my investigations of Frank Martin, I listened this morning to Bamert's CD of "Ballades" which was the title FM used for small-scale concertante works (mostly orchestrated from pieces for melody instrument and piano). These aren't, I think, on the level of the Concerto for 7 Winds (my current favourite) or the Petite symphonie concertante. They seem a little unfocused and eclectic to me.
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Originally posted by Richard Barrett View PostAbsolutely, HD. Every item in that box has become my first-choice recording. And I haven't even listened to it all yet! The Bartók 1st Violin Concerto and Pulcinella are still awaiting my attention, although the latter isn't a favourite of mine. . . .
As for Pulcinella, it is a karaoke favourite of mine.
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Originally posted by Richard Barrett View PostAbsolutely, HD. Every item in that box has become my first-choice recording. And I haven't even listened to it all yet! The Bartók 1st Violin Concerto and Pulcinella are still awaiting my attention, although the latter isn't a favourite of mine.
Sounds tempting.
PS: Too tempting to resist, given such endorsements, so duly ordered!
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Originally posted by HighlandDougie View PostBartók: The Miraculous Mandarin, Op.19, Sz.73
Anton-Webern-Choir Freiburg/SWR Baden and Freiburg Symphony Orchestra/Michael Gielen
Helped by the crystal-clear acoustics of the Freiburg Concert Hall, I think that this may be the best performance of this piece I've heard since first hearing it (BBC SO/Dorati - a much treasured LP) all those years ago (1967 - eek!). Gielen has a wonderful ear for the texture of the music but doesn't forget that it was written as a stage work, rather than as an ear-battering orchestral showpiece. I can't recommend Volume 5 of the Michael Gielen Edition with its mix of his Bartók and Stravinsky highly enough (I seem to remember Richard B enthusing about it as well).
That’s saying something there Stan!. I alway was a fan of Abbado s and Rattle’s.
Walton
Viola Concerto
Sonata for String Orchestra
Partita for Orchestra.
James Ehnes(viola), BBC SO,
Edward Gardner.Last edited by BBMmk2; 03-08-18, 10:55.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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