Originally posted by RichardB
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What Classical Music Are You listening to Now? III
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'À sa guitare' – Philippe Jaroussky – Thibaut Garcia
Collection of songs for countertenor & guitar:
Dowland, Purcell, Rossini, Fauré, Barbara, Purcell, Schubert, Paisiello, Bonfá, Mozart, Giordnani, Caccini, Granados, Poulenc, Reis, Lorca, Ramirez, Faure & Britten
Works for solo guitar: Poulenc, Reis & Rodriguez
Philippe Jaroussky (countertenor) & Thibaut Garcia (guitar)
Recorded 2020-21 Studio de l'Orchestre National d'Île-de-France, Alfortville, Paris
Erato, new release
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Looks a very good collection there! Happy birthday to you, JK!
Martha Argerich - The Lugano Recordings
Schumann
Piano Concerto in A minor, Op.54
(Martha Argerich, piano, Orchestra della Svizzera Italiana
Alexandre Rabinowitz-Barakovsky)
Fantasiestücke, Op.88
(Martha Argerich, Renaud Capuçon, violin, Gautier Capuçon, cello)
Piano Quartet in Eb major, Op.47
(Martha Argerich, piano, Renaud Capuçon m violin, Gautier Capuçon, cello)
Adagio & Variations for two pianos, in Bb major, Op.46
(Martha Argerich, Gabriel Montero, pianists)
Piano Quintet in Eb major, Op.44
(Dora Schwarnberg, Renaud Capuçon, violins,
Nora Schwarnberg-Romanoff, viola, Mark Drobinsky, cello
Martha Argerich , piano)
Violin Sonata in A minor, Op.105
(Geza Hossz-Legocky, violin, Martha Argerich, piano)
5 Stücke im Volkston, Op.102
(Gautier Capuçon, cello, Martha Argerich, piano).Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Rather enjoying both concertos. The mix of modern and 'natural' instruments works rather well here, I think. I would rather like to hear an 'afterthoughts' performance of the G major with a modern copy of a piano from Beethoven's time, though. Brautigam reverted to the unrevised version when he recorded the concerto with Willens.
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Originally posted by gradus View PostOf course his recordings were released here and attracted some attention but never seemed to catch the critics' ears, for example the half-hearted attention paid to his Mozart and Brahms. Has BAL ever recommended a Walter recording that wasn't Mahler or possibly Bruckner?
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Originally posted by Joseph K View PostBirthday presents for listening (and reading) -
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Originally posted by richardfinegold View PostMore than that, I don’t seem to remember Walter discussed in Gramophone with the same kind of reverence that he gets from American Music Magazines such as Fanfare. Otoh, Beecham, Boulder and Barbirolli probably are discussed more on your side of the pond
Trevor Harvey, in a 1971 review of a Walter rehearsal recording/performance of Mozart Symphony No.36, already felt the need to defend him against his (non-Gramophonian) detractors, calling him "a very great Mozartian" (and found much praise for his verbal articulacy to the orchestra) ...completely and consistently typical of the Gramophone. Walter's Haydn Brahms and Beethoven were highly praised on the 2002 "Great Conductors of the Century" set on IMG.
A high profile too, in the Penguin Stereo Record Guide, created by Gramophone writers , and which I often consulted back in the day, up at the library...Last edited by jayne lee wilson; 06-11-21, 19:44.
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Originally posted by jayne lee wilson View Post..whoever chose those knew what they were doing! Two of my top favourites for Schumann and Birtwistle (which is my NO.1 album for the composer), and the ICA NH which is becoming ever more special the more I hear of it.... more on the Brahms 4 soon....
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Originally posted by richardfinegold View PostMore than that, I don’t seem to remember Walter discussed in Gramophone with the same kind of reverence that he gets from American Music Magazines such as Fanfare. Otoh, Beecham, Boulder and Barbirolli probably are discussed more on your side of the pond
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Originally posted by gradus View PostWalter had adherents among the critics but generally he was noted and then forgotten until a re-issue ignited justifiable interest. Not sure that the three B's carry as much clout as once they did over here but that's the critics loss imv.
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Carrying on playing from:-
Martha Argerich - The Lugano Recordings
Ravel
Gaspard de la Nuit
(Martha Argerich, piano)
La Valse (arr for 2 pianos Ravel)
(Martha Argerich, Sergio Tiempo, pianists)
Ma Mére l’Oye(for piano, 4 hands)
(Martha Argerich, Alexander Mogilevsky, pianists)
Piano Concerto in G major
(Martha Argerich,
Orchestra della Svizzera, Alexander Vedernikov)
Debussy
Préludeá l’après-midi d’un faune
(Martha Argerich, Stephen Kovacevich, pianists)
Rachmaninov
Symphonic Dances, Op.45
(Martha Argerich, Nelson Goerner, pianists)
Suite for 2 Pianos No.1 in G minor,”Fantasie-tableaux”, Op.5
(Martha Argerich Lilya Zilberstein, pianists)
Suite for 2 Pianos No.2 in C major, Op.17
Prokofiev
Symphony No.1 in D major, Op.25 “Classical”
(Arr. for two pianos by Rikuya Terashima)
(Martha Argerich, Yefim Bronfman, pianists)
Violin Sonata No.2 in D major, Op.94
(Renaud Capuçon, violin, Martha Argerich, piano)
Rachmaninov
Six Morceaux, Op.11
(Martha Argerich, Lilya Zilberstein, pianists).Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by RichardB View PostMy big "discovery" of the last week or two has been Taverner's Missa corona spinea with the Tallis Scholars. If there's anyone here with the slightest interest in Renaissance music who hasn't yet heard it I suggest that you do so! I was a bit disappointed, though, trying to follow this up by getting to know more Taverner than the obvious Western Wind and Gloria Tibi Trinitas, that not much of it has been recorded by smaller vocal ensembles. Why is that, I wonder.
As for other recordings of Taverner, The Sixteen recorded his whole output and their performance of the Mass O Michael remains the only one ever recorded. However, dare I say that, in my opinion, they show more commitment shown to technique than to communication of the music. Also, the high pitch standard employed in this and other Tudor music have long been thoroughly debunked.
I would recommend this: https://www.youtube.com/watch?v=p2nZ...Wo9NY4&index=2
Also worth a listen is this, although, personally, I'd skip the interpolated plainsong tracks—you can't recreate the atmosphere of a service on CD: https://www.youtube.com/watch?v=3Ujx...vhhBX8KnkCH1ps. This partner CD is all the better for avoiding plainsong, but I can't find a complete listing on YouTube: https://www.youtube.com/watch?v=-nCa...mtCmah&index=6
Taverner's best known work is undoubtedly his Mass The Western Wind (which you already know). There's a fine performance by Andrew Parrott's Taverner Choir scattered around YouTube. The CD has other, secular, music of Taverner's time to provide variety.Last edited by Vox Humana; 07-11-21, 16:24.
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Brahms
Symphony No.4. COE/Harnoncourt. Live, Graz, 1997. From the new ICA Box.
So to the 1997 live COE Brahms 4th…..
There’s a tingle in the air…..
From the very start, there’s a sense of a quest, a new adventure, a voyage of discovery for all; the phrasing sharp and clear, dynamics wide, string and wind lines carried with schwung and biting, explicit brass.
Harnoncourt is making you listen up!
The winds at the andante’s opening are ear-catchingly colourful and individual; the movement full of pathos, tonal beauty and drama. There follows the fastest, and lightest, most joyfully waspish giocoso I (or you) ever heard...
Then a finale that searches out every detail of line and accompaniment (you’ll hear things you never did before), but meaningfully, by maintaining a keen rhythmic profile to the phrase, an unerring forward momentum; again a striking schwung - real swing - to the musical flow.
But with so many incidental beauties.
The flute solo in var.12 never more limpidly eloquent, the annunciatory, climaxing 24th variation beginning the 4th and final section quite overwhelming. The tempo shifts may often startle but they always emphasise the musical meaning, the mood of the narrative. As ever, Harnoncourt has the eye on the longterm, the shape and structure.
Yes, they are many great 4ths in the world; but this ranks high, in the very select top group, especially as it is live, and feels so very alive, made in the moment.
Just astonishing….!
(I'll try to get a dedicated thread going on this box, full of amazing things...)Last edited by jayne lee wilson; 07-11-21, 19:45.
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