Originally posted by Alison
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What Classical Music Are You listening to Now? III
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Marlis Petersen – ‘Dimensionen Innenwelt’ (‘Dimension Innerworld’)
Part 3 of Dimensions Trilogy
Mélodies - Fauré, Hahn & Duparc
Lieder - Schubert, Brahms, Wolf, Liszt, R. Strauss, Wagner, Reger, Weigl, Rößler & Füstenthal
Marlis Petersen (soprano)
Stephan Matthias Lademann (piano)
Gregor Hübne (violin) (track 22, R. Strauss)
Recorded 2019 Konzerthaus Blaibach, Germany
Solo Musica
Tombelle – 'Concertante & Orchestral Works'
‘Impressions matinales’ – Orchestral Suite No. 1
‘Livre d’images’ – Orchestral Suite No. 2
‘Fantasy’ for piano and orchestra, op. 26 (rev. 1896 version)
Hannes Minnaar (piano)
Brussels Philharmonic / Hervé Niquet
Recorded 2008, Studio 4 Flagey, Brussels, Belgium
Bru Zane – Portraits series, vol. 5 - CD 1 of 3 from set -
Tombelle Musique de chambre, chorale et symphonique
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Saint-Saëns
Violin Concerto No. 3
‘La Muse et le Poète’ for violin, cello & orchestra
Cello Concerto No. 1 in A minor
Renaud Capuçon (violin) & Gautier Capuçon (cello)
Orchestre Philharmonique de Radio France / Lionel Bringuier
Recorded 2013, Salle Pleyel, Paris (Op. 132, Op. 33); Théâtre du Châtelet, Paris (Op. 61)
Erato
Véronique Gens - ‘Néère’
French Mélodies from Hahn, Duparc & Chausson
Véronique Gens (soprano)
Susan Manoff (piano)
Recorded 2015 Studio Teldex, Berlin
Alpha Classics
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I’ve been dipping in, recently on a playlist by Warner called Nipper’s Picks. A very rewarding playlist it is. This is what today’s offering has conjured up!
Beethoven
Piano Sonata No.16 in G major , Op.31 No.1
Piano Sonata No.17 in D minor, Op.31, No.2 “The Tempest”
Piano Sonata No.18 in Eb major, Op.31, No.3
Daniel Barenboim, (piano)
Sibelius Great Tone Poems
Finlandia, Op.26
Karelia Suite, Op.11
Pohjola’s Daughter, Op.49
2 Pieces from “Kuolema”, Op.44/1 “Valse Triste”
Lemminkäinen Suite, Op.22, No.4, “The Return”
Hallé Orchestra
Sir John Barbirolli.
Vaughan Williams
Symphony No.7, “Sinfonia Antarctica”
The Wasps, Aristophanes Suite: Overture
Margaret Ritchie(soprano)
Hallé Orchestra
Sir John Barbirolli
Mussorgsky, orch.Ravel
Pictures at an Exhibition
Debussy
Prélude a’lapres midi d’un faune
Philharmonia Orchestra
Lorin Maazel.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Via QOBUZ 96/24 streaming:
I know most of these pieces from performances by the composers, playing them at Schott Music, which I recorded. No slight on the composers' pianistic prowess is intended in saying that these studio recordings by the Ivory Duo Piano Ensemble (Natalie Tsaldarakis and Panayotis Archontides) constitute a considerable step up.
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Among Spotify's new releases I stumbled upon 13 songs from Winterreise with Noëmi Waysfeld accompanied by Guillaume de Chassy on the French Klarthe label. They are idiosyncratic "arrangements" which stay pretty close to the originals most of the time. They may not suit everyone but I lapped it up. I loved the naturalness of her voice and even the slight Gallic lilt to her German. Also some felicituos piano inventions. Clearly a labour of love.
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Beethoven: Violin Sonatas 1, 2, 3 & 4
Frank Peter Zimmermann (violin), Martin Helmchen (piano)
Wonderful new release from BIS via Qobuz streaming. Studio recordings from September 2019.
Martin Helmchen goes from strength to strength. His ongoing Beethoven concerto series with Andrew Manze and the Deutsches Symphonie-Orchester Berlin is proving a highlight of the Beethoven year, and this first volume of the violin sonatas likewise jumps to the top of the heap.
Up to now, my go-to performers for these works have been Lorenzo Gatto and Julien Libeer — and then this comes along. Zimmermann is, of course, wonderful on the fiddle, but time and time again it's Helmchen's sublime musicality which takes the breath away. He has a rare ability to attract attention to himself without stepping intrusively into the spotlight — indeed, the interplay between the two performers is wonderful throughout. In the case of sonatas 1 to 3 which form the op. 12 set, the title page describes them as being for Claricembralo o Forte-Piano con un Violino, so it's appropriate that one's attention is drawn to the piano. Martin Helmchen is in total command of the often virtuoso piano writing. He carries it off with aplomb, tossing off the most difficult passages with ease and an impression of being absolutely relaxed while still in command. His pacing and phrasing are inspired.
I listened right through with unmitigated joy, and then right through again.
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Originally posted by Suffolkcoastal View PostScore following - Days 138 & 139
Glinka:
Overture to Ruslan & Ludmilla
Gounod:
St Cecilia Mass (vocal score)
Symphony No 2 in E flat major
Grieg:
Piano Concerto in A minor op16
Peer Gynt Suite No 1 op46
Peer Gynt Suite No 2 op55
Griffes:
The White Peacock op7 no1
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