What Classical Music Are You listening to Now? III

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  • Joseph K
    Banned
    • Oct 2017
    • 7765

    Originally posted by Joseph K View Post
    Giving Stravinsky a night off and picking up where I left off with the EMI Beethoven Collectors' Edition box: disk 13, comprising piano sonatas 8, 9, 10 and 11 - Eric Heidsieck.
    Just now getting round to no. 11.

    Comment

    • jayne lee wilson
      Banned
      • Jul 2011
      • 10711

      Lovely playing on this, my current ambient choice (better than the daylong garden parties booming away nearby...)....


      Mes favoris
      Cet élément a bien été ajouté / retiré de vos favoris.Felix Mendelssohn: The Complete String Symphonies

      Munich Radio Orchestra, Henry Raudales
      • Released on 04/06/2021 by BR-Klassik
      • QOBUZ 24-Bit 48.0 kHz - Stereo

      Comment

      • Joseph K
        Banned
        • Oct 2017
        • 7765

        Haydn - string quartet in E flat op. 64 no. 6

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        • cloughie
          Full Member
          • Dec 2011
          • 22000

          Originally posted by Bryn View Post
          Brahms: Piano Concerto No. 2 (András Schiff), streamable in full, with the 1st, on QOBUZ from today. Brahms with all the lightness of spirit and dance it was composed with, not the heavy stodge that all too often has weighed it down. Schoenberg was right, Brahms was, indeed, "a great progressive".
          Now available on download from Presto from £12.68

          On a quick hearing the divine third movement of no 2 sounds a little quick - Julius Katchen with Kenneth Heath on cello (LSO Ferencsik) got it right for me!

          Comment

          • BBMmk2
            Late Member
            • Nov 2010
            • 20908

            Carrying on with my theme this week of recordings celebrating the artistry of Martha Argerich.

            The Lugano Recordings
            CD 15
            Ravel

            Gaspard de la Nuit
            (Martha Argerich, piano)
            La Valse, for two pianos(arr. Ravel)
            (Martha Argerich, Sergio Tiempo, pianists)
            Ma Mére l’Oye, (for piano, four hands)
            (Martha Argerich, Alexander Mogilevsky, pianists)
            Piano Concerto in G major
            (Martha Argerich, piano
            Orchestra della Svizzera Italiana
            Alexander Vedirnikov)
            Debussy
            Prélude à l’après midi d’un faune
            (Stephen Kovacevich, Martha Argerich, pianists)
            CD 16
            Rachmaninov

            Symphonic Dances, Op.45
            (Martha Argerich, Nelson Goerner, pianists)
            Suite No.1 for Two Pianos in G minor, Op.5 “Fantasie-Tableaux”
            (Martha Argerich, Lilya Zilberstein, pianists)
            Suite No.2, for Two Pianos, in C major, Op.17
            (Martha Argerich, Gabriela Montero, pianists)
            CD 17
            Prokofiev

            Symphony No.1 in D major, Op.25 “Classical”
            (Martha Argerich, Yefim Bronfman, pianists)
            Violin Sonata No.2 in D major, Op.94 bis
            (Renaud Capuçon, violin, Martha Argerich, piano)
            Rachmaninov
            6 Morceaux, Op.11
            (Martha Argerich, Lilya Zilberstein, pianists)
            Don’t cry for me
            I go where music was born

            J S Bach 1685-1750

            Comment

            • Bryn
              Banned
              • Mar 2007
              • 24688

              Originally posted by cloughie View Post
              Now available on download from Presto from £12.68

              On a quick hearing the divine third movement of no 2 sounds a little quick - Julius Katchen with Kenneth Heath on cello (LSO Ferencsik) got it right for me!
              I guess that comes from Schiff observing Brahms's metronome marking in the autograph score.

              Comment

              • cloughie
                Full Member
                • Dec 2011
                • 22000

                Originally posted by Bryn View Post
                I guess that comes from Schiff observing Brahms's metronome marking in the autograph score.
                Very probably but such a shame to rush a beautiful sound!

                Comment

                • Petrushka
                  Full Member
                  • Nov 2010
                  • 12014

                  Scott Joplin: 'The Easy Winners'
                  Itzhak Perlman (violin), Andre Previn (piano)

                  Disc 35 from the Warner Andre Previn box
                  "The sound is the handwriting of the conductor" - Bernard Haitink

                  Comment

                  • Bryn
                    Banned
                    • Mar 2007
                    • 24688

                    Originally posted by cloughie View Post
                    Very probably but such a shame to rush a beautiful sound!
                    Maybe, if such occurred, but here, I find the tempo quite apposite, given the instrumental forces, (far closer to those with which Brahms was familiar), employed.

                    Comment

                    • Richard Barrett
                      Guest
                      • Jan 2016
                      • 6259

                      I'm going to listen to this one later, if I can put my aversion to the sound of Brahms on hold... I was just listening to a new selection of Monteverdi madrigals on Glossa under the title "Lagrime d'amante", by the Compagnia dei Madrigali, currently I would say my favourite group in this kind of repertoire. Some of my favourite madrigals too.

                      Comment

                      • ostuni
                        Full Member
                        • Nov 2010
                        • 540

                        Yes, I've only heard a few tracks so far, but they all seem really excellent. Sad footnote: the recording is dedicated to the memory of their bass, Daniele Carnovich, who died last year (and sings on the majority of the tracks).

                        Comment

                        • cloughie
                          Full Member
                          • Dec 2011
                          • 22000

                          Originally posted by Bryn View Post
                          Maybe, if such occurred, but here, I find the tempo quite apposite, given the instrumental forces, (far closer to those with which Brahms was familiar), employed.
                          Allegedly!

                          Comment

                          • Bryn
                            Banned
                            • Mar 2007
                            • 24688

                            Originally posted by cloughie View Post
                            Allegedly!
                            A silly remark. The evidence is overwhelming. Much of the instrument technology in common use today had not even been developed in Brahm's day.

                            Comment

                            • Alison
                              Full Member
                              • Nov 2010
                              • 6431



                              Found this a very interesting conversation, including comments on the new Brahms recording.

                              Comment

                              • bluestateprommer
                                Full Member
                                • Nov 2010
                                • 2830

                                Listening to WRTI's Sunday relay of a past Philadelphia Orchestra concert, with LvB's Prometheus overture on now:

                                Join us on Sunday, June 6th at 1 PM on WRTI 90.1 and Monday, June 7th at 7 PM on WRTI HD-2 to hear a 2017 Philadelphia Orchestra concert that was…

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