What Classical Music Are You listening to Now? III

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  • cloughie
    Full Member
    • Dec 2011
    • 22027

    Originally posted by Bryn View Post
    I have been trying to find more information about this piano version. That coming with the boxed set merely refers to it as the "first version for piano (1910)". The Internet is not much help, either. Is it a case of Ravel having first prepared this version for piano, then setting about orchestrating it, or is it a reduction prepared for ballet rehearsal purposes, as has been suggested elsewhere? I am tempted to think the former to be the more likely case.
    Yes Bryn - a strange one and as it is actually his own arrangement very odd that it has not been performed/recorded more over the years.

    Comment

    • Bryn
      Banned
      • Mar 2007
      • 24688

      Originally posted by cloughie View Post
      Yes Bryn - a strange one and as it is actually his own arrangement very odd that it has not been performed/recorded more over the years.
      A double back-translation (to English via French and Japanese) in an Amazon customer review of the original CD release has this:

      Inside the jacket “As concerns the choral part that is also included in this version, thanks to the technology of re-recording, we were able to maintain its bewitting presence with the piano. “re-recording” may be “overdubbing” by the way.This means that some multiple recordings are used in the choral part. That said, I don't know where to adopt multiple recordings in my dagna (I don't have to know if you don't have any trouble in the first direction).

      Comment

      • Pulcinella
        Host
        • Feb 2014
        • 10438

        Originally posted by Bryn View Post
        A double back-translation (to English via French and Japanese) in an Amazon customer review of the original CD release has this:
        My Roger Nichols book on Ravel arrived yesterday.
        If he has anything to say that's a little more comprehensible than this, I'll let you know!


        PS: There's an odd grammatical error in Nichols' booklet notes for the complete set.
        Page 15 has:

        Sadly, Wittgenstein insisted on make major changes to the score and, .....

        All the odder as, as far as I can tell, the French and German translations are OK, and you might have thought that one of those translators would have reported the error!
        The sense should (I think) be: Wittgenstein insisted on Ravel making..... (or insisted that Ravel make, if you like that construction!).
        Last edited by Pulcinella; 02-12-20, 12:14. Reason: PS added

        Comment

        • Stanfordian
          Full Member
          • Dec 2010
          • 9268

          Nathalie Manfrino – ‘French Heroines’
          Airs d'opéras français – Gounod, Massenet, Delibes, Bizet, Debussy, Lalo & Chausson

          Nathalie Manfrino (soprano)
          Orchestre Philharmonique de Monte-Carlo / Emmanuel Villaume
          Recorded 2007 Auditorium Rainier III, Monte-Carlo, Monaco
          Decca

          Saint-Saëns – ‘Sonates & Trio’ – Capuçon, Moreau & Chamayou
          Piano Trio No. 2 in E minor, Op. 92
          Violin Sonata No. 1 in D minor, Op. 75
          Cello Sonata No. 1 in C minor, Op. 32
          Renaud Capuçon (violin)
          Edgar Moreau (cello)
          Bertrand Chamayou (piano)
          Recorded July 2020, Studio, Cité de la Musique et de la Danse, Soissons, France
          Erato (Warner Classics), CD new release

          Comment

          • Pulcinella
            Host
            • Feb 2014
            • 10438

            Originally posted by Bryn View Post
            I have been trying to find more information about this piano version. That coming with the boxed set merely refers to it as the "first version for piano (1910)". The Internet is not much help, either. Is it a case of Ravel having first prepared this version for piano, then setting about orchestrating it, or is it a reduction prepared for ballet rehearsal purposes, as has been suggested elsewhere? I am tempted to think the former to be the more likely case.
            I think your temptation is correct!
            From a quick flick through Nichols' book, it would appear that Ravel wrote the piano version first, finishing it on 1 May 1910, and by 7 May (four days after writing a letter about the contract) he was busy orchestrating it.
            By the time Durand published it, in 1912, there were some revisions (so I guess that that counts as the second version for piano), though a small number of plate-printed advance copies were produced in 1910.

            Comment

            • BBMmk2
              Late Member
              • Nov 2010
              • 20908

              A slightly belated tribute, by a couple of days, to Mariss Jansons
              In Memoriam

              Beethoven
              Symphony No.9 in D minor, Op.125 ‘Choral’
              Krassimira Stoyanova (soprano)
              Lioba Braun (contralto)
              Michael Schade (tenor)
              Michael Villa (bass)
              Chor und Symphonieorchester des Bayerischen Rundfunks
              Mariss Jansons

              Brahms
              Symphony No.2 in D major, Op.73
              Symphony No.3 in F major, Op.90
              Symphonieorchester des Bayerischen Rundfunks
              Mariss Jansons.
              Don’t cry for me
              I go where music was born

              J S Bach 1685-1750

              Comment

              • Joseph K
                Banned
                • Oct 2017
                • 7765

                Dutilleux - Tout un monde lointain, from aforementioned boxed set.

                Comment

                • BBMmk2
                  Late Member
                  • Nov 2010
                  • 20908

                  Originally posted by BBMmk2 View Post
                  A slightly belated tribute, by a couple of days, to Mariss Jansons
                  In Memoriam

                  Beethoven
                  Symphony No.9 in D minor, Op.125 ‘Choral’
                  Krassimira Stoyanova (soprano)
                  Lioba Braun (contralto)
                  Michael Schade (tenor)
                  Michael Villa (bass)
                  Chor und Symphonieorchester des Bayerischen Rundfunks
                  Mariss Jansons

                  Brahms
                  Symphony No.2 in D major, Op.73
                  Symphony No.3 in F major, Op.90
                  Symphonieorchester des Bayerischen Rundfunks
                  Mariss Jansons.
                  Following on

                  Bruckner
                  Symphony No.7 in E minor
                  Symphonieorchester des Bayerischen Rundfunks
                  Mariss Jansons
                  Don’t cry for me
                  I go where music was born

                  J S Bach 1685-1750

                  Comment

                  • Jonathan
                    Full Member
                    • Mar 2007
                    • 935

                    Recently received the latest CD by Paul Wee - Thalberg L'Art du chant applique au piano. It's absolutely brilliant.
                    Best regards,
                    Jonathan

                    Comment

                    • Pulcinella
                      Host
                      • Feb 2014
                      • 10438

                      Prokofiev

                      A 2CD EMI collection

                      Scythian Suite (CBSO/Rattle)
                      Piano concerto 1 (Argerich/Montreal SO/Dutoit)
                      Violin concerto 1 (Zimmermann/Berlin Phil/Maazel)
                      Visions fugitives (Béroff)
                      Symphony 1 (Philharmonia/Kurtz)
                      Cello concerto (Starker/Philharmonia/Susskind)
                      Sinfonietta (Philharmonia/Muti)
                      Overture on Hebrew themes (Béroff/Portal/Parrenin Quartet)

                      Comment

                      • Joseph K
                        Banned
                        • Oct 2017
                        • 7765

                        Maltempo playing Scriabin 10.

                        SUCH an incredible work, this performance does full justice to it... positively ravishing.

                        Comment

                        • Richard Barrett
                          Guest
                          • Jan 2016
                          • 6259

                          Originally posted by Joseph K View Post
                          Maltempo playing Scriabin 10.
                          Those are wonderful performances, at least the ones I've heard, starting indeed with no.10 of course (closely followed by no.7). I'm reminded to listen to the rest of them tomorrow if I have time.

                          Comment

                          • Joseph K
                            Banned
                            • Oct 2017
                            • 7765

                            Originally posted by Richard Barrett View Post
                            Those are wonderful performances, at least the ones I've heard, starting indeed with no.10 of course (closely followed by no.7). I'm reminded to listen to the rest of them tomorrow if I have time.


                            I have the double-CD set but admit: I haven't yet got round to listening to the earlier sonatas.

                            Comment

                            • Stanfordian
                              Full Member
                              • Dec 2010
                              • 9268

                              Sandrine Piau - ‘Si j'ai aimé…’
                              Mélodies from Saint-Saëns, Bordes, Berlioz, Vierne, Duparc, Guilmant, Martini

                              Orchestral pieces from Pierné, Duparc, Massenet, Godard
                              Sandrine Piau (soprano)
                              Le Concert de la Loge / Julien Chauvin (violin / direction)
                              Recorded 2018 Arsenal-Cité Musicale de Metz, France
                              Alpha Classics CD

                              Ravel
                              Daphnis et Chloé, Suites No’s 1 & 2
                              La Valse
                              Le Tombeau de Couperin
                              Philharmonische Chor München
                              Münchner Philharmoniker / Sergiu Celibidache
                              Recorded live, 1987 Philharmonie (Daphnis); 1979 (La Valse);
                              1984 (Tombeau), Herkulessaal, Munich
                              Münchner Philharmoniker, own label CD

                              Comment

                              • BBMmk2
                                Late Member
                                • Nov 2010
                                • 20908

                                Stan, that Ravel looks interesting!

                                Mahler
                                Symphony No.5 in C# minor
                                Symphonieorchester des Bayerischen Rundfunks
                                Mariss Jansons
                                Don’t cry for me
                                I go where music was born

                                J S Bach 1685-1750

                                Comment

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